Artists Space

Drum of Reversal

TWO DAYS ON MIKE KELLEY

Featuring the US premiere of documentation of three performances by Mike Kelley at Hallwalls, Buffalo, NY, 1981:
The Monitor and the Merrimac, The Big Tent, and My Space

Screenings and events:
Sunday, November 15, 3-7pm
Monday, November 16, 7pm-midnight
Free, no RSVP required

A blindfolded figure in a red shirt is captured in the midst of spinning around.
Mike Kelley performing The Monitor and the Merrimac, The Big Tent, and My Space at Hallwalls in Buffalo, NY on April 30, 1981. Image courtesy of Hallwalls. All Mike Kelley Artworks © Mike Kelley Foundation for the Arts. All Rights Reserved / VAGA at ARS, NY. [A blindfolded figure in a red shirt is captured in the midst of spinning around.]

Join us for Drum of Reversal, a two-day festival celebrating Mike Kelley, organized with the support of the Mike Kelley Foundation For The Arts. The program features the US premiere of documentation of three performances by Mike Kelley at Hallwalls, Buffalo, NY, 1981: The Monitor and the Merrimac, The Big Tent, and My Space. Like many performance artists of his generation, Kelley was resistant to documentation. As Tony Oursler recalls, "many of Mike’s early performances are documented only in photo and script form, if at all. He refused to allow them to be filmed, stating that they should exist only in the moment." The footage was never screened during Kelley's lifetime, and a recently restored version now makes its way to Artists Space.

Performed in succession over forty-five uninterrupted minutes, the three pieces find Kelley engaged in a relentless play of language and objects, spinning associative tangents while continuously twisting, undoing, and reversing his own linguistic formulations in real time. The performance also features Kelley's longtime friends and collaborators Tony Oursler and Tony Conrad, who beat drums, play violin, and take on speaking roles.

Taking this extraordinary documentation as a point of departure, Drum of Reversal brings together an intergenerational group of artists, critics, and scholars whose work shares affinities with Kelley's in spirit or form. The following evening, November 16th, continues with a special Mike Kelley-inspired edition of Abasement, headlined by Paul McCarthy, Rick Potts, Alex Stevens, and John Weise. An accompanying zine will gather archival materials alongside personal recollections and reflections by Ericka Beckman, Dorit Cypis, Kim Gordon, John Miller, Matt Mullican, Tony Oursler, Lee Ranaldo, Valerie Smith, Dan Walworth, Johanna Went, Christopher Williams, and others.

Drum of Reversal
Sunday, November 15
3-7pm

Featuring the US premiere of documentation of three performances by Mike Kelley at Hallwalls, Buffalo, NY, 1981:
The Monitor and the Merrimac, The Big Tent, and My Space

Performances, talks, videos, music, and zines by:

Felix Bernstein
Paul Chan
Richard Hawkins
Julia Heyward
Marc Kokopeli
Jennifer Krasinski
Maggie Lee
Danny McDonald
Aki Sasamoto
Nicole-Antonia Spagnola
SoiL Thornton

Abasement
Monday, November 16
7pm-midnight

Paul McCarthy / Rick Potts / Alex Stevens / John Weise
Sailor Beware
Tom Thayer
Untitled Noise Night
DJ Flakka and DJ Janusz
Visuals by Vampÿrates

Support is provided by the Mike Kelley Foundation For The Arts.