Thursday, February 19
7pm
Free, no RSVP required
Please join Allen Frame, Jacob Burckhardt, and Donald Ryan for an evening of screenings and readings that highlight the multifaceted practice of Bill Rice, a painter whose work extended across theater, literature, and film and whose presence was deeply embedded in the East Village cultural scene. While painting remained central to his artistic life, Rice was also an active participant in experimental theater and underground cinema, contributing through writing, performance, and long-standing collaboration.
From the 1970s onward, Rice appeared in and collaborated on films by artists and filmmakers closely associated with the East Village, participating in a milieu shaped by informal networks, shared authorship, and cross-disciplinary exchange. He was also a devoted scholar and researcher of Gertrude Stein, whose literary and theatrical experiments informed his own sensibility across media.
Through a selection of film excerpts, readings, and interviews, the evening foregrounds Rice’s significant contributions to the East Village’s theater, literary, and film communities.
Program includes excerpts and readings from:
The Offenders, directed by Beth B and Scott B
Wild Style (excerpt), directed by Charlie Ahearn
Manhattan Love Suicides, directed by Richard Kern
The Big Blue (excerpt), directed by Andrew Horn
Plates, directed by Gary Goldberg
Situation Room (excerpt), directed by Jim Neu
The Monkey and the Engineer, directed by Jacob Burckhardt
Dark Pocket (excerpt), directed by Jim Neu
Coffee and Cigarettes — Champagne, directed by Jim Jarmusch
Soap (excerpt), directed by Gary Indiana
Document Memory for My Friend Bill Rice, directed by Tom Jarmusch
Doomed Love, directed by Andrew Horn
Making Sounds (excerpt, interview with Bill Rice), directed by Frank Franca
Identity, a Poem by Gertrude Stein, by Lei Chou
Turmoil in the Garden (excerpt, adapted from David Wojnarowicz’s Sounds in the Distance), co-directed by Kirsten Bates and Allen Frame