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  • A grainy, black and white image of a vintage automobile driving on a winding, deserted road through a set of mountains. The car is in the foreground of the image, with part of its body cut off by the image's frame.
    A grainy, black and white image of a vintage automobile driving on a winding, deserted road through a set of mountains. The car is in the foreground of the image, with part of its body cut off by the image's frame.
    [A grainy, black and white image of a vintage automobile driving on a winding, deserted road through a set of mountains. The car is in the foreground of the image, with part of its body cut off by the image's frame.]
    Caption
    Image description A grainy, black and white image of a vintage automobile driving on a winding, deserted road through a set of mountains. The car is in the foreground of the image, with part of its body cut off by the image's frame.
    Year 2007
    Related pages Program 4 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • An overhead shot depicts the interior of a wooden box-like structure. The floor of the object is lined with dark carpet, and the walls of the structure bear a cream geometric pattern.
    An overhead shot depicts the interior of a wooden box-like structure. The floor of the object is lined with dark carpet, and the walls of the structure bear a cream geometric pattern.
    Brad Kronz, The Grateful Deed, 2025. Wood, stain, screws, carpet, fabric, board. Photo: Carter Seddon [An overhead shot depicts the interior of a wooden box-like structure. The floor of the object is lined with dark carpet, and the walls of the structure bear a cream geometric pattern. ]
    Caption Brad Kronz, The Grateful Deed, 2025. Wood, stain, screws, carpet, fabric, board. Photo: Carter Seddon
    Image description An overhead shot depicts the interior of a wooden box-like structure. The floor of the object is lined with dark carpet, and the walls of the structure bear a cream geometric pattern.
    Year
    Related pages Brad Kronz
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    Image description
    Year
    Related pages Abasement #77
  • Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled,
    Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled,
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled, "One out of every 100 new business succeeds. Here's to those who take the odds." There is a short written blurb below. On the right, a landscape-oriented spread shows an image of a car with its doors open on the left page. On the right page, large text reads, "The Delorean. Live the dream." An additional image of a car and a single column of text is positioned to the right of this headline.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled, "One out of every 100 new business succeeds. Here's to those who take the odds." There is a short written blurb below. On the right, a landscape-oriented spread shows an image of a car with its doors open on the left page. On the right page, large text reads, "The Delorean. Live the dream." An additional image of a car and a single column of text is positioned to the right of this headline.
    Year 2010
    Related pages Duncan Campbell: Make It New John
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    Year
    Related pages Anne Gardiner: Through the Tulips and The Red Red Rose - May 2
  • A book with blank pages is sitting open on a white table, seen from above. A person's right hand rests on the table next to the book, while the left is lifted in gesture.
    A book with blank pages is sitting open on a white table, seen from above. A person's right hand rests on the table next to the book, while the left is lifted in gesture.
    Still from video interview with Benjamin Buchloh about the work of Christopher D'Arcangelo, conducted by Dean Inkster and Sébastien Pluot, 2010. [A book with blank pages is sitting open on a white table, seen from above. A person's right hand rests on the table next to the book, while the left is lifted in gesture.]
    Caption Still from video interview with Benjamin Buchloh about the work of Christopher D'Arcangelo, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Image description A book with blank pages is sitting open on a white table, seen from above. A person's right hand rests on the table next to the book, while the left is lifted in gesture.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • Constantina Zavitsanos, Ace of Spades (detail), 2024. Z interferometer: two aluminized 6" diameter spherical mirrors, LED illumination source, knife edge on mounts; soldering iron, fan, infrared light, steel tables. Dimensions variable.
    Caption Constantina Zavitsanos, Ace of Spades (detail), 2024. Z interferometer: two aluminized 6" diameter spherical mirrors, LED illumination source, knife edge on mounts; soldering iron, fan, infrared light, steel tables. Dimensions variable.
    Image description
    Year
    Related pages fwiw
  • A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.
    A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.
    Anna Gili, Flower Dress, 1987. [A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.]
    Caption Anna Gili, Flower Dress, 1987.
    Image description A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.
    Year 1987
    Related pages Anna Gili
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    Image description
    Year
    Related pages Abasement #77
  • A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is holding up soapsuds, which are dripping down onto the front of her skirt.
    A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is holding up soapsuds, which are dripping down onto the front of her skirt.
    Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is holding up soapsuds, which are dripping down onto the front of her skirt.]
    Caption Yellow. Performance view, Artists Space, 2008.
    Image description A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is holding up soapsuds, which are dripping down onto the front of her skirt.
    Year 2008
    Related pages When Time Becomes Form: Yellow
  • A dimly lit room with a leather black couch facing a projection screen.
    A dimly lit room with a leather black couch facing a projection screen.
    Episode: Compari Project Space 2007 Installation view from Episode, Artists Space, 2007. Photo: Bill Orcutt. [A dimly lit room with a leather black couch facing a projection screen.]
    Caption Episode: Compari Project Space 2007 Installation view from Episode, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A dimly lit room with a leather black couch facing a projection screen.
    Year 2007
    Related pages
  • A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”
    A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”
    Year 2019
    Related pages Speaker Music: drape over another
  • A hand drawn pen and ink perspectival image of shallow inclined ramps leading to a short platform are mirrored and doubled on tracing papers and graph paper that stretch wide.
    A hand drawn pen and ink perspectival image of shallow inclined ramps leading to a short platform are mirrored and doubled on tracing papers and graph paper that stretch wide.
    Constantina Zavitsanos, Sketch for ramps and platform, 2024. Pencil, pen, and ink on papers. 8 x 17 in. [A hand drawn pen and ink perspectival image of shallow inclined ramps leading to a short platform are mirrored and doubled on tracing papers and graph paper that stretch wide.]
    Caption Constantina Zavitsanos, Sketch for ramps and platform, 2024. Pencil, pen, and ink on papers. 8 x 17 in.
    Image description A hand drawn pen and ink perspectival image of shallow inclined ramps leading to a short platform are mirrored and doubled on tracing papers and graph paper that stretch wide.
    Year
    Related pages fwiw
  • A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    Year 2019
    Related pages Trisha Baga Edition
  • Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    Year 2022
    Related pages keyon gaskin 12-14
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    Year
    Related pages fwiw
  • A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.
    A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.
    Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.
    Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.]
    Caption Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.
    Year
    Related pages Abasement #75
  • A black and white photograph of a textured wall with white and grey splotches.
    A black and white photograph of a textured wall with white and grey splotches.
    Pamela Jenrette. Lavalava, 1974. From Scott Burton, Pamela Jenrette, Artists Space,1975. [A black and white photograph of a textured wall with white and grey splotches.]
    Caption Pamela Jenrette. Lavalava, 1974. From Scott Burton, Pamela Jenrette, Artists Space,1975.
    Image description A black and white photograph of a textured wall with white and grey splotches.
    Year 1975
    Related pages Scott Burton, Pamela Jenrette
  • Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin
    Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin
    [Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Jessica Laser & Jillian McManemin
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A painting of a lamb figurine.
    A painting of a lamb figurine.
    Brett Reichman, Squeaker, 1991. Oil on canvas, 36 x 36 inches. Courtesy the artist. [A painting of a lamb figurine.]
    Caption Brett Reichman, Squeaker, 1991. Oil on canvas, 36 x 36 inches. Courtesy the artist.
    Image description A painting of a lamb figurine.
    Year 1991
    Related pages Writers Who Love Too Much
  • An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.
    An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.
    [An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.]
    Caption
    Image description An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.
    Year 2020
    Related pages Segue Reading Series: Tongo Eisen-Martin & Jennifer Soong
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two boards, one horizontal on the ground and the other vertical on the wall, meet at a right angle. The bottom board sits covered with stripped carpet, the top nearly covered with marroon carpet.
    Two boards, one horizontal on the ground and the other vertical on the wall, meet at a right angle. The bottom board sits covered with stripped carpet, the top nearly covered with marroon carpet.
    Brad Kronz, I Reject the Good Opinion of Others, 2024. Wood, carpet, paper, latex paint, staples, bolts, nails. Photo: Carter Seddon [Two boards, one horizontal on the ground and the other vertical on the wall, meet at a right angle. The bottom board sits covered with stripped carpet, the top nearly covered with marroon carpet. ]
    Caption Brad Kronz, I Reject the Good Opinion of Others, 2024. Wood, carpet, paper, latex paint, staples, bolts, nails. Photo: Carter Seddon
    Image description Two boards, one horizontal on the ground and the other vertical on the wall, meet at a right angle. The bottom board sits covered with stripped carpet, the top nearly covered with marroon carpet.
    Year
    Related pages Brad Kronz
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Exhibition Card (front)
    Caption Exhibition Card (front)
    Image description
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Two women in dresses and matching shoes are splayed up against a screen with their arms raised. There is an image projected over them, with a white background and black geometric pattern, and two splotches of red over their bodies.
    Two women in dresses and matching shoes are splayed up against a screen with their arms raised. There is an image projected over them, with a white background and black geometric pattern, and two splotches of red over their bodies.
    [Two women in dresses and matching shoes are splayed up against a screen with their arms raised. There is an image projected over them, with a white background and black geometric pattern, and two splotches of red over their bodies.]
    Caption
    Image description Two women in dresses and matching shoes are splayed up against a screen with their arms raised. There is an image projected over them, with a white background and black geometric pattern, and two splotches of red over their bodies.
    Year 2007
    Related pages Things Will End Before They Start
  • A video projection on a scrim of an urban environment with a store and a park lot visible with buildings in the background. A standing box with a wire coming from the back is visible and another box with a wire from the back is visible on the right wall. All of this is set up in a gallery setting.
    A video projection on a scrim of an urban environment with a store and a park lot visible with buildings in the background. A standing box with a wire coming from the back is visible and another box with a wire from the back is visible on the right wall. All of this is set up in a gallery setting.
    Judith Barry. In the Shadow of the City (Vampry...). Installation view. Artists Space, 1985. [A video projection on a scrim of an urban environment with a store and a park lot visible with buildings in the background. A standing box with a wire coming from the back is visible and another box with a wire from the back is visible on the right wall. All of this is set up in a gallery setting.]
    Caption Judith Barry. In the Shadow of the City (Vampry...). Installation view. Artists Space, 1985.
    Image description A video projection on a scrim of an urban environment with a store and a park lot visible with buildings in the background. A standing box with a wire coming from the back is visible and another box with a wire from the back is visible on the right wall. All of this is set up in a gallery setting.
    Year 1985
    Related pages Dark Rooms
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Multi-wall drawing of various figures visible in gallery space.
    Multi-wall drawing of various figures visible in gallery space.
    Wall Drawing. Installation view, Artists Space, 1981. [Multi-wall drawing of various figures visible in gallery space.]
    Caption Wall Drawing. Installation view, Artists Space, 1981.
    Image description Multi-wall drawing of various figures visible in gallery space.
    Year
    Related pages Wall Drawing
  • Caption
    Image description
    Year
    Related pages All These Different Things Are Sculpture
  • Black text on a light green background. The text reads: “May 9 / Patricia Spears Jones / Khashayar
    Black text on a light green background. The text reads: “May 9 / Patricia Spears Jones / Khashayar
    [Black text on a light green background. The text reads: “May 9 / Patricia Spears Jones / Khashayar "Kess" Mohammadi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light green background. The text reads: “May 9 / Patricia Spears Jones / Khashayar "Kess" Mohammadi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Patricia Spears Jones & Khashayar “Kess” Mohammadi
  • In the foreground vacuums on plexiglass shelves with fluorescent lights underneath are visible and in the background on a white gallery wall is a number of different photographs lined next to each other in successio.
    In the foreground vacuums on plexiglass shelves with fluorescent lights underneath are visible and in the background on a white gallery wall is a number of different photographs lined next to each other in successio.
    Jeff Koons. Installation View, Artists Space, 1983. [In the foreground vacuums on plexiglass shelves with fluorescent lights underneath are visible and in the background on a white gallery wall is a number of different photographs lined next to each other in successio.]
    Caption Jeff Koons. Installation View, Artists Space, 1983.
    Image description In the foreground vacuums on plexiglass shelves with fluorescent lights underneath are visible and in the background on a white gallery wall is a number of different photographs lined next to each other in successio.
    Year
    Related pages Los Angeles/New York Exchange
  • Black text on a grey background. The text reads: “March 21 / Dave Morse / Anahid Nersessian.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “March 21 / Dave Morse / Anahid Nersessian.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “March 21 / Dave Morse / Anahid Nersessian.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “March 21 / Dave Morse / Anahid Nersessian.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Dave Morse & Anahid Nersessian
  • Two paper bags with handles sit on a white shelf. The left bag is red and decorated with two illustrated portraits, one of which is a Native American man. The bag to the right has a larger portrait of a Native American man next to illustrative fish on a colorful background.
    Two paper bags with handles sit on a white shelf. The left bag is red and decorated with two illustrated portraits, one of which is a Native American man. The bag to the right has a larger portrait of a Native American man next to illustrative fish on a colorful background.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Two paper bags with handles sit on a white shelf. The left bag is red and decorated with two illustrated portraits, one of which is a Native American man. The bag to the right has a larger portrait of a Native American man next to illustrative fish on a colorful background.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Two paper bags with handles sit on a white shelf. The left bag is red and decorated with two illustrated portraits, one of which is a Native American man. The bag to the right has a larger portrait of a Native American man next to illustrative fish on a colorful background.
    Year 2017
    Related pages Unholding
  • Anelisse, Secrets and Lies, 2020, acrylic paint on paper
    Caption Anelisse, Secrets and Lies, 2020, acrylic paint on paper
    Image description
    Year
    Related pages ARTstudio
  • A black and white photograph of a linear model consisting of many elements.
    A black and white photograph of a linear model consisting of many elements.
    Laurie Hawkinson, CineTrain, 1986. [A black and white photograph of a linear model consisting of many elements.]
    Caption Laurie Hawkinson, CineTrain, 1986.
    Image description A black and white photograph of a linear model consisting of many elements.
    Year
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
  • Five flower arrangements sit side-by-side on a gallery floor. The flowers have been arranged such that they form the shape of four italicized, lowercase letters and a period. From left to right, the arrangements spell
    Five flower arrangements sit side-by-side on a gallery floor. The flowers have been arranged such that they form the shape of four italicized, lowercase letters and a period. From left to right, the arrangements spell
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [Five flower arrangements sit side-by-side on a gallery floor. The flowers have been arranged such that they form the shape of four italicized, lowercase letters and a period. From left to right, the arrangements spell "abbr." White flowers form the letters' shapes, while green leaves frame the flowers.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description Five flower arrangements sit side-by-side on a gallery floor. The flowers have been arranged such that they form the shape of four italicized, lowercase letters and a period. From left to right, the arrangements spell "abbr." White flowers form the letters' shapes, while green leaves frame the flowers.
    Year 1997
    Related pages Lines of Loss
  • A black and white installation photograph of a tall stack of papers in a gallery space.
    A black and white installation photograph of a tall stack of papers in a gallery space.
    McArthur Binion, Jonathan Borofsky, Mary Obering. Installation view, Artists Space, 1973. [A black and white installation photograph of a tall stack of papers in a gallery space.]
    Caption McArthur Binion, Jonathan Borofsky, Mary Obering. Installation view, Artists Space, 1973.
    Image description A black and white installation photograph of a tall stack of papers in a gallery space.
    Year 1973
    Related pages McArthur Binion, Jonathan Borofsky, Mary Obering
  • A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.
    A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.
    Year 2019
    Related pages Speaker Music: drape over another
  • A gray-toned illustration of multiple, military missles, lined up next to one another.
    A gray-toned illustration of multiple, military missles, lined up next to one another.
    Wolf Vostell Starfighter , 1967 80 copies + 40 artists proofs, signed and numbered screen print with glitter, 53 x 81,5 cm Courtesy of Edition Block, Berlin [A gray-toned illustration of multiple, military missles, lined up next to one another.]
    Caption Wolf Vostell Starfighter , 1967 80 copies + 40 artists proofs, signed and numbered screen print with glitter, 53 x 81,5 cm Courtesy of Edition Block, Berlin
    Image description A gray-toned illustration of multiple, military missles, lined up next to one another.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    Year
    Related pages Abasement #65
  • A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    Served Up! R.M. Fischer. Installation view, Artists Space, 1979. [A black-and-white photograph of a gallery space with several floor lamps installed throughout.]
    Caption Served Up! R.M. Fischer. Installation view, Artists Space, 1979.
    Image description A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    Year
    Related pages Served Up! R. M. Fischer
  • Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading
    Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading "3 concerts, improvised music. La Monte Young - sopranino saxophone, Angus MacLise - hand drums, drone, 8-12pm Sundays - August 12, 19, 26, 10-4 Group Gallery, 73 4th Avenue, contribution $1.50" ]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading "3 concerts, improvised music. La Monte Young - sopranino saxophone, Angus MacLise - hand drums, drone, 8-12pm Sundays - August 12, 19, 26, 10-4 Group Gallery, 73 4th Avenue, contribution $1.50"
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Small red sculptures of octopi and squids arranged in an oval shape on a white wall.
    Small red sculptures of octopi and squids arranged in an oval shape on a white wall.
    Flipside. Installation view, Artists Space, 2004. [Small red sculptures of octopi and squids arranged in an oval shape on a white wall.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description Small red sculptures of octopi and squids arranged in an oval shape on a white wall.
    Year 2004
    Related pages Flipside
  • A color photograph of a gallery space. A large piece of grey and yellow vinyl hangs from the wall on the left, perpendicular to grey metal scaffolding with semi-transparent fabric on one side. A stack of grey a white posters are placed on the ground directly in front of the scaffold.
    A color photograph of a gallery space. A large piece of grey and yellow vinyl hangs from the wall on the left, perpendicular to grey metal scaffolding with semi-transparent fabric on one side. A stack of grey a white posters are placed on the ground directly in front of the scaffold.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space. A large piece of grey and yellow vinyl hangs from the wall on the left, perpendicular to grey metal scaffolding with semi-transparent fabric on one side. A stack of grey a white posters are placed on the ground directly in front of the scaffold.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space. A large piece of grey and yellow vinyl hangs from the wall on the left, perpendicular to grey metal scaffolding with semi-transparent fabric on one side. A stack of grey a white posters are placed on the ground directly in front of the scaffold.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • An image of a dark room with multiple videos playing in the background and photograph negatives hang off the wall.
    An image of a dark room with multiple videos playing in the background and photograph negatives hang off the wall.
    New Red Order Beginning of the End of the Trail, detail, 2021 Wet-plate collodion glass negatives with LED lightboxes, pipes, and extension cords. Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a dark room with multiple videos playing in the background and photograph negatives hang off the wall.]
    Caption New Red Order Beginning of the End of the Trail, detail, 2021 Wet-plate collodion glass negatives with LED lightboxes, pipes, and extension cords. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description An image of a dark room with multiple videos playing in the background and photograph negatives hang off the wall.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Other Minds, San Francisco. Photo: John Fago [Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.]
    Caption Other Minds, San Francisco. Photo: John Fago
    Image description Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Year
    Related pages Ellen Fullman & JACK Quartet
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  • A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.
    A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.
    Leslie Hewitt, Make it Plain, 2006. C-print. [A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.]
    Caption Leslie Hewitt, Make it Plain, 2006. C-print.
    Image description A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.
    Year 2006
    Related pages Replica of a Lost Original
  • Trip to Artists Space to see fwiw Constantina Zavitsanos exhibition, 2024
    Caption Trip to Artists Space to see fwiw Constantina Zavitsanos exhibition, 2024
    Image description
    Year
    Related pages Listening to the LES
  • David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description
    Year
    Related pages David Armstrong: Portraits
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    Related pages Abasement #84
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
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    Related pages Anne Gardiner: Through the Tulips and The Red Red Rose - May 2
  • A discolored envolope, stained and frayed, with cursive handwriting that reads
    A discolored envolope, stained and frayed, with cursive handwriting that reads
    Rent check envelope prop, c.1970s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels [A discolored envolope, stained and frayed, with cursive handwriting that reads "The Lobster Lucky Landlord Paradise".]
    Caption Rent check envelope prop, c.1970s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels
    Image description A discolored envolope, stained and frayed, with cursive handwriting that reads "The Lobster Lucky Landlord Paradise".
    Year
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A performer caught in motion dances with their hands above their head, hanging at an angle. The performer is dappled in white lights.
    A performer caught in motion dances with their hands above their head, hanging at an angle. The performer is dappled in white lights.
    Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [A performer caught in motion dances with their hands above their head, hanging at an angle. The performer is dappled in white lights. ]
    Caption Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer caught in motion dances with their hands above their head, hanging at an angle. The performer is dappled in white lights.
    Year
    Related pages Abasement #86
  • A framed, oval-shaped painting of a man and a conical plant sculpture decorated with hanging crepe paper tassels are displayed in a gallery.
    A framed, oval-shaped painting of a man and a conical plant sculpture decorated with hanging crepe paper tassels are displayed in a gallery.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo: Jean Vong. [A framed, oval-shaped painting of a man and a conical plant sculpture decorated with hanging crepe paper tassels are displayed in a gallery.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo: Jean Vong.
    Image description A framed, oval-shaped painting of a man and a conical plant sculpture decorated with hanging crepe paper tassels are displayed in a gallery.
    Year 2016
    Related pages The Clay Hen by Lukas Duwenhögger: A reading with Paul Lazar
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    Related pages Segue Reading Series: Samiya Bashir & Nora Treatbaby
  • A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.
    A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.
    Year
    Related pages Selections from the Artist File
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    Related pages Abasement #82
  • A color photograph of a figure in a pointed hat with a wide brim and wearing a black and white robe. The figure is pictured amid tree branches and vines. They hold a twisted vine in their left hand.
    A color photograph of a figure in a pointed hat with a wide brim and wearing a black and white robe. The figure is pictured amid tree branches and vines. They hold a twisted vine in their left hand.
    Portrait of Eiko Ishibashi [A color photograph of a figure in a pointed hat with a wide brim and wearing a black and white robe. The figure is pictured amid tree branches and vines. They hold a twisted vine in their left hand.]
    Caption Portrait of Eiko Ishibashi
    Image description A color photograph of a figure in a pointed hat with a wide brim and wearing a black and white robe. The figure is pictured amid tree branches and vines. They hold a twisted vine in their left hand.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • Red and off-white text on a black-and-white background reads:
    Red and off-white text on a black-and-white background reads:
    [Red and off-white text on a black-and-white background reads: "AT THE LIMITS / OF THE GAZE / SELECTED WRITINGS BY / TAKUMA NAKAHIRA" and the event details. The background features a photograph of ocean waves.]
    Caption
    Image description Red and off-white text on a black-and-white background reads: "AT THE LIMITS / OF THE GAZE / SELECTED WRITINGS BY / TAKUMA NAKAHIRA" and the event details. The background features a photograph of ocean waves.
    Year
    Related pages Takuma Nakahira: Encounters
  • A color photograph of a video monitor mounted on a wall with two headsets hanging nearby
    A color photograph of a video monitor mounted on a wall with two headsets hanging nearby
    Chloe P. Crawford, Upright Nationalism, 2022. Video, 4 minutes 18 seconds. Photo: Steven Cottingham. [A color photograph of a video monitor mounted on a wall with two headsets hanging nearby]
    Caption Chloe P. Crawford, Upright Nationalism, 2022. Video, 4 minutes 18 seconds. Photo: Steven Cottingham.
    Image description A color photograph of a video monitor mounted on a wall with two headsets hanging nearby
    Year
    Related pages Whitney Independent Study: Everything is Common
  • A collage-style image. The background is a 19th century-style painting titled
    A collage-style image. The background is a 19th century-style painting titled
    Paul Chan, Wht is the nture of lw, 2011, Inkjet print and silkscreen on paper, 19 1/3 x 16 1/8 in / 49 x 48,6 cm, Signed and numbered. [A collage-style image. The background is a 19th century-style painting titled "Start of the Famous Race between the Natchez & Robt," drawing from an actual race between two steamboats named the Nachez and the Robert E. Lee in 1870 New Orleans. The painting depicts a maritime scene. It appears slightly ripped at the top, with a black background, and black, blue, and yellow opaque squares appearing in each corner. At the bottom, "THE END" is printed in a square formation. In the center, a printed, black, numbered list is overlaid on top of the painting, with 20 elements. The text reads: "1. Dylan quote: To be just, one has to be against the law / 2. Artist are "natural" lawbreakers / 3. Art synonymous with freedom (against law) / But art is not lawless, it simply followed another law (law as tendency) / 5. Expression is the following of a more natural law (perhaps higher law in line with nature and non-man made law / 6. Diotima? Marcus Aurelius? Hardot / Natural law, nature) / 7. Artmaking is when one discovers a law that one already follows (science) / 8. In the end, it is law against law. / 9. But still, law is sin (St. Paul) and death. / 10. Petrified unrest / manic energy / overproduction / 11. What is truly against the law? / 12. Duchamp / against one's taste / contranatural / (perverse) / 13. Kant = Contranatural is Anti-Christ / 14. His anti-art was in fact a private pleasure forced to live on for others. / 15. Crime and pleasure (≠ happiness) / 16. Crime is what is pleasing only to onself? / 17. Real art is what is pleasing to oneself? / 18. Real art is a real crime? / 19. Adorno quote as Nietzschean bluster / 20. The real crime is that what we do for ourselves is pleasing"]
    Caption Paul Chan, Wht is the nture of lw, 2011, Inkjet print and silkscreen on paper, 19 1/3 x 16 1/8 in / 49 x 48,6 cm, Signed and numbered.
    Image description A collage-style image. The background is a 19th century-style painting titled "Start of the Famous Race between the Natchez & Robt," drawing from an actual race between two steamboats named the Nachez and the Robert E. Lee in 1870 New Orleans. The painting depicts a maritime scene. It appears slightly ripped at the top, with a black background, and black, blue, and yellow opaque squares appearing in each corner. At the bottom, "THE END" is printed in a square formation. In the center, a printed, black, numbered list is overlaid on top of the painting, with 20 elements. The text reads: "1. Dylan quote: To be just, one has to be against the law / 2. Artist are "natural" lawbreakers / 3. Art synonymous with freedom (against law) / But art is not lawless, it simply followed another law (law as tendency) / 5. Expression is the following of a more natural law (perhaps higher law in line with nature and non-man made law / 6. Diotima? Marcus Aurelius? Hardot / Natural law, nature) / 7. Artmaking is when one discovers a law that one already follows (science) / 8. In the end, it is law against law. / 9. But still, law is sin (St. Paul) and death. / 10. Petrified unrest / manic energy / overproduction / 11. What is truly against the law? / 12. Duchamp / against one's taste / contranatural / (perverse) / 13. Kant = Contranatural is Anti-Christ / 14. His anti-art was in fact a private pleasure forced to live on for others. / 15. Crime and pleasure (≠ happiness) / 16. Crime is what is pleasing only to onself? / 17. Real art is what is pleasing to oneself? / 18. Real art is a real crime? / 19. Adorno quote as Nietzschean bluster / 20. The real crime is that what we do for ourselves is pleasing"
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.
    A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.
    Guilt for Shame. Performance documentation, August 22, 2013, Artists Space. Photo: Lyndsy Welgos. [A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.]
    Caption Guilt for Shame. Performance documentation, August 22, 2013, Artists Space. Photo: Lyndsy Welgos.
    Image description A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.
    Year 2013
    Related pages Guilt For Shame
  • A color installation photograph of a black and white abstract painting on a white wall.
    A color installation photograph of a black and white abstract painting on a white wall.
    Richard Klauber. Installation view,Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.]
    Caption Richard Klauber. Installation view,Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • Gritty street wall background with a white poster on it with black text that reads,
    Gritty street wall background with a white poster on it with black text that reads,
    Jenny Holzer. Maxim Poster, 1982. [Gritty street wall background with a white poster on it with black text that reads, "ABUSE OF POWER SHOULD COME AS NO SURPRISE / ALIENATION CAN PRODUCE ECCENTRICS OR REVOLUTIONARIES / AN ELITE IS INEVITABLE / ANGER OR HATE CAN BE A USEFUL MOTIVATING FORCE / ANY SURPLUS IS IMMORAL / DISGUST IS THE APPROPRIATE RESPONSE TO MOST SITUATIONS / EVERYONE'S WORK IS EQUALLY IMPORTANT / EXCEPTIONAL PEOPLE DESERVE SPECIAL CONCESSIONS / FAITHFULNESS IS A SOCIAL NOT A BIOLOGICAL LAW / FREEDOM IS A LUXURY NOT A NECESSITY / GOVERNMENT IS A BURDEN ON THE PEOPLE / HUMANISM IS OBSOLETE / IDEALS ARE EVENTUALLY REPLACED BY CONVENTIONAL GOALS / INHERITANCE MUST BE ABOLISHED / KILLING IS UNAVOIDABLE BUT IS NOTHING TO BE PROUD OF / LABOR IS A LIFE-DESTROYING ACTIVITY / MONEY CREATES TASTE / MORALS ARE FOR LITTLE PEOPLE / MOST PEOPLE ARE NOT FIT TO RULE THEMSELVES / MOSTLY YOU SHOULD MIND YOUR OWN BUSINESS / MUCH WAS DECIDED BEFORE YOU WERE BORN / MURDER HAS ITS SEXUAL SIDE / PAIN CAN BE A VERY POSITIVE THING / PEOPLE ARE NUTS IF THEY THINK THEY CONTROL THEIR LIVES / PEOPLE WHO DON'T WORK WITH THEIR HANDS ARE PARASITES / PEOPLE WHO GO CRAZY ARE TOO SENSITIVE / PEOPLE WON'T BEHAVE IF THEY HAVE NOTHING TO LOSE / PLAYING IT SAFE CAN CAUSE A LOT OF DAMAGE / PRIVATE OWNERSHIP IS AN INVITATION TO DISASTER / ROMANTIC LOVE WAS INVENTED TO MANIPULATE WOMEN / SELFISHNESS IS THE MOST BASIC MOTIVATION / SEPARATISM IS THE WAY TO A NEW  BEGINNING / SEX DIFFERENCES ARE HERE TO STAY / STARVATION IS NATURE'S WAY / STERLIZIZATION IS OFTEN JUSTIFIED / STUPID PEOPLE SHOULDN'T BREED / TECHNOLOGY WILL MAKE OR BRAKE US / THE FAMILY IS LIVING ON BORROWED TIME / THE LAND BELONGS TO NO ONE / TIMIDITY IS LAUGHABLE / TORTURE IS HORRIBLE AND EXCITING / TRADING A LIFE FOR A LIFE IS FAIR ENOUGH / UNIQUE THINGS MUST BE  THE MOST VALUABLE / YOU DIG YOUR OWN GRAVE / YOU MUST REMEMBER YOU HAVE FREEDOM OF CHOICE."]
    Caption Jenny Holzer. Maxim Poster, 1982.
    Image description Gritty street wall background with a white poster on it with black text that reads, "ABUSE OF POWER SHOULD COME AS NO SURPRISE / ALIENATION CAN PRODUCE ECCENTRICS OR REVOLUTIONARIES / AN ELITE IS INEVITABLE / ANGER OR HATE CAN BE A USEFUL MOTIVATING FORCE / ANY SURPLUS IS IMMORAL / DISGUST IS THE APPROPRIATE RESPONSE TO MOST SITUATIONS / EVERYONE'S WORK IS EQUALLY IMPORTANT / EXCEPTIONAL PEOPLE DESERVE SPECIAL CONCESSIONS / FAITHFULNESS IS A SOCIAL NOT A BIOLOGICAL LAW / FREEDOM IS A LUXURY NOT A NECESSITY / GOVERNMENT IS A BURDEN ON THE PEOPLE / HUMANISM IS OBSOLETE / IDEALS ARE EVENTUALLY REPLACED BY CONVENTIONAL GOALS / INHERITANCE MUST BE ABOLISHED / KILLING IS UNAVOIDABLE BUT IS NOTHING TO BE PROUD OF / LABOR IS A LIFE-DESTROYING ACTIVITY / MONEY CREATES TASTE / MORALS ARE FOR LITTLE PEOPLE / MOST PEOPLE ARE NOT FIT TO RULE THEMSELVES / MOSTLY YOU SHOULD MIND YOUR OWN BUSINESS / MUCH WAS DECIDED BEFORE YOU WERE BORN / MURDER HAS ITS SEXUAL SIDE / PAIN CAN BE A VERY POSITIVE THING / PEOPLE ARE NUTS IF THEY THINK THEY CONTROL THEIR LIVES / PEOPLE WHO DON'T WORK WITH THEIR HANDS ARE PARASITES / PEOPLE WHO GO CRAZY ARE TOO SENSITIVE / PEOPLE WON'T BEHAVE IF THEY HAVE NOTHING TO LOSE / PLAYING IT SAFE CAN CAUSE A LOT OF DAMAGE / PRIVATE OWNERSHIP IS AN INVITATION TO DISASTER / ROMANTIC LOVE WAS INVENTED TO MANIPULATE WOMEN / SELFISHNESS IS THE MOST BASIC MOTIVATION / SEPARATISM IS THE WAY TO A NEW  BEGINNING / SEX DIFFERENCES ARE HERE TO STAY / STARVATION IS NATURE'S WAY / STERLIZIZATION IS OFTEN JUSTIFIED / STUPID PEOPLE SHOULDN'T BREED / TECHNOLOGY WILL MAKE OR BRAKE US / THE FAMILY IS LIVING ON BORROWED TIME / THE LAND BELONGS TO NO ONE / TIMIDITY IS LAUGHABLE / TORTURE IS HORRIBLE AND EXCITING / TRADING A LIFE FOR A LIFE IS FAIR ENOUGH / UNIQUE THINGS MUST BE  THE MOST VALUABLE / YOU DIG YOUR OWN GRAVE / YOU MUST REMEMBER YOU HAVE FREEDOM OF CHOICE."
    Year
    Related pages Eating Friends
  • Cave of Animals: Cave of the Future, site recording, 2024
    Caption Cave of Animals: Cave of the Future, site recording, 2024
    Image description
    Year
    Related pages Listening to the LES
  • Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Year
    Related pages Abasement #63
  • A blue book cover with white text that reads
    A blue book cover with white text that reads
    Ian White, Here Is Information. Mobilise (Montréal: LUX, 2016). Image courtesy of Tenderbooks. [A blue book cover with white text that reads "Here is Information. / Mobilise. / Ian White."]
    Caption Ian White, Here Is Information. Mobilise (Montréal: LUX, 2016). Image courtesy of Tenderbooks.
    Image description A blue book cover with white text that reads "Here is Information. / Mobilise. / Ian White."
    Year 2016
    Related pages Here Is Information. Mobilise.
  • A figure in a blue dress sits behind a white table, they are reading from a small book in front of them. Projectors on either side of the table face the back wall. An audience watches the reader from the right side of the image.
    A figure in a blue dress sits behind a white table, they are reading from a small book in front of them. Projectors on either side of the table face the back wall. An audience watches the reader from the right side of the image.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress sits behind a white table, they are reading from a small book in front of them. Projectors on either side of the table face the back wall. An audience watches the reader from the right side of the image.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A figure in a blue dress sits behind a white table, they are reading from a small book in front of them. Projectors on either side of the table face the back wall. An audience watches the reader from the right side of the image.
    Year 2023
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.
    Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.
    Year 2022
    Related pages SCRAAATCH 11-18
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages 2020Solidarity Wade Guyton
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  • Sepia toned image of three figures standing in the middle of the street. The figure on the left wears a white dress that flows in the wind, while the middle figure wears a button down shirt and stands in a pool of white liquid spilled on the ground. The third figure on the right wears a striped cloth over their body.
    Sepia toned image of three figures standing in the middle of the street. The figure on the left wears a white dress that flows in the wind, while the middle figure wears a button down shirt and stands in a pool of white liquid spilled on the ground. The third figure on the right wears a striped cloth over their body.
    Masao Adachi, Galaxy, 1967 [Sepia toned image of three figures standing in the middle of the street. The figure on the left wears a white dress that flows in the wind, while the middle figure wears a button down shirt and stands in a pool of white liquid spilled on the ground. The third figure on the right wears a striped cloth over their body.]
    Caption Masao Adachi, Galaxy, 1967
    Image description Sepia toned image of three figures standing in the middle of the street. The figure on the left wears a white dress that flows in the wind, while the middle figure wears a button down shirt and stands in a pool of white liquid spilled on the ground. The third figure on the right wears a striped cloth over their body.
    Year
    Related pages Yasunao Tone Film Screening #3
  • A halftone image of the Statue of Liberty printed in bright green and red ink. A cut-out of a black and white photograph of an older man's face has been pasted over the statue's face. The words
    A halftone image of the Statue of Liberty printed in bright green and red ink. A cut-out of a black and white photograph of an older man's face has been pasted over the statue's face. The words
    André Breton, Young Cherry Trees Secured Against Hares (New York: View Editions, 1946). Collection of Daniel Buchholz and Christopher Müller, Cologne. [A halftone image of the Statue of Liberty printed in bright green and red ink. A cut-out of a black and white photograph of an older man's face has been pasted over the statue's face. The words "Young Cherry Trees Secured Against Hares André Breton" are printed around the body of the statue in green ink.]
    Caption André Breton, Young Cherry Trees Secured Against Hares (New York: View Editions, 1946). Collection of Daniel Buchholz and Christopher Müller, Cologne.
    Image description A halftone image of the Statue of Liberty printed in bright green and red ink. A cut-out of a black and white photograph of an older man's face has been pasted over the statue's face. The words "Young Cherry Trees Secured Against Hares André Breton" are printed around the body of the statue in green ink.
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.
    The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.
    [The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.]
    Caption
    Image description The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.
    Year 2018
    Related pages PRACTICE x Wind
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An installation view of two abstract wall works made of wood and a water fountain sculpture in the background.
    An installation view of two abstract wall works made of wood and a water fountain sculpture in the background.
    New Economy. Installation view, Artists Space, 2007. [An installation view of two abstract wall works made of wood and a water fountain sculpture in the background.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description An installation view of two abstract wall works made of wood and a water fountain sculpture in the background.
    Year
    Related pages New Economy
  • Two figures wearing medical scrubs and surgical masks move a table with wheels, on top of which a mannequin lies.
    Two figures wearing medical scrubs and surgical masks move a table with wheels, on top of which a mannequin lies.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs and surgical masks move a table with wheels, on top of which a mannequin lies.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs and surgical masks move a table with wheels, on top of which a mannequin lies.
    Year 2022
    Related pages Grandmother Cindy
  • A drawing of a multilayered circle. The inner circle reading
    A drawing of a multilayered circle. The inner circle reading
    Immanent Madness. Installation View. Artists Space, 1985-86. [A drawing of a multilayered circle. The inner circle reading "Imminent Madness", the second layer reading " academies, forest, huts, villages, cities," and the outer layer reading, "pleasure, luxury, neccesity, utility, comfort."]
    Caption Immanent Madness. Installation View. Artists Space, 1985-86.
    Image description A drawing of a multilayered circle. The inner circle reading "Imminent Madness", the second layer reading " academies, forest, huts, villages, cities," and the outer layer reading, "pleasure, luxury, neccesity, utility, comfort."
    Year
    Related pages Immanent Madness
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    Related pages David Armstrong: Portraits
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    Related pages Abasement #85
  • Three figurative, red and black gestural paintings hang on a white wall. On the left, a vertical work shows the exterior of a building with a ladder leading to a window. On the right, two horizontal works hung one above the other feature pairs of chairs, each connected by a circle.
    Three figurative, red and black gestural paintings hang on a white wall. On the left, a vertical work shows the exterior of a building with a ladder leading to a window. On the right, two horizontal works hung one above the other feature pairs of chairs, each connected by a circle.
    Works by Robert Vitale. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989. [Three figurative, red and black gestural paintings hang on a white wall. On the left, a vertical work shows the exterior of a building with a ladder leading to a window. On the right, two horizontal works hung one above the other feature pairs of chairs, each connected by a circle.]
    Caption Works by Robert Vitale. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989.
    Image description Three figurative, red and black gestural paintings hang on a white wall. On the left, a vertical work shows the exterior of a building with a ladder leading to a window. On the right, two horizontal works hung one above the other feature pairs of chairs, each connected by a circle.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    Hito Steyerl. Installation view, Artists Space, 2015. [A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.]
    Caption Hito Steyerl. Installation view, Artists Space, 2015.
    Image description A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    Year 2015
    Related pages Hito Steyerl
  • Black text on a grey background. The text reads: “Feb 21 / Kate Ehrenberg / Serubiri Moses.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Feb 21 / Kate Ehrenberg / Serubiri Moses.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Feb 21 / Kate Ehrenberg / Serubiri Moses.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Feb 21 / Kate Ehrenberg / Serubiri Moses.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Kate Ehrenberg & Serubiri Moses
  • White painted brick wall; a black plate with white text that reads,
    White painted brick wall; a black plate with white text that reads,
    Alternative Art New York, 1965 - 1985. Julie Ault. Univ. of Minnesota Press, 2002. Paperback, 408 pages. $30. at the Artists Space Bookstore. [White painted brick wall; a black plate with white text that reads, "Title: Alternative Art New York Date: 1965-1985 Editor: Julie Ault."]
    Caption Alternative Art New York, 1965 - 1985. Julie Ault. Univ. of Minnesota Press, 2002. Paperback, 408 pages. $30. at the Artists Space Bookstore.
    Image description White painted brick wall; a black plate with white text that reads, "Title: Alternative Art New York Date: 1965-1985 Editor: Julie Ault."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Three people wearing facemasks. One is dressed in an ultra-feminine mask, nightgown and open robe, facing the camera. The other two are facing the first figure, dressed casually in t-shirts and a denim vest.
    Three people wearing facemasks. One is dressed in an ultra-feminine mask, nightgown and open robe, facing the camera. The other two are facing the first figure, dressed casually in t-shirts and a denim vest.
    Mark Morrisroe. Still from Nymph-O-Maniac (1984). [Three people wearing facemasks. One is dressed in an ultra-feminine mask, nightgown and open robe, facing the camera. The other two are facing the first figure, dressed casually in t-shirts and a denim vest.]
    Caption Mark Morrisroe. Still from Nymph-O-Maniac (1984).
    Image description Three people wearing facemasks. One is dressed in an ultra-feminine mask, nightgown and open robe, facing the camera. The other two are facing the first figure, dressed casually in t-shirts and a denim vest.
    Year 1984
    Related pages Mark Morrisroe: Super 8
  • A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.
    A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.
    Spring Exhibitions. Installation view, Artists Space, 2009. [A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.]
    Caption Spring Exhibitions. Installation view, Artists Space, 2009.
    Image description A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.
    Year 2009
    Related pages Spring Exhibitions
  • A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    Benito Huerta, Attempted, Not Known. Media unknown, dimesions unknown. [A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.]
    Caption Benito Huerta, Attempted, Not Known. Media unknown, dimesions unknown.
    Image description A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    Year 1989
    Related pages Project: Attempted, Not Known
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    Related pages Abasement #67
  • Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.
    Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.
    [Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.]
    Caption
    Image description Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.
    Year 2003
    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color photograph of a television screen resting on a wooden chair with a red cushion. The screen displays a black and white image of several masked figures.
    A color photograph of a television screen resting on a wooden chair with a red cushion. The screen displays a black and white image of several masked figures.
    Nicole-Antonia Spagnola: Italian Hardcore. Installation view, Commercial Street, Los Angeles, 2021 [A color photograph of a television screen resting on a wooden chair with a red cushion. The screen displays a black and white image of several masked figures.]
    Caption Nicole-Antonia Spagnola: Italian Hardcore. Installation view, Commercial Street, Los Angeles, 2021
    Image description A color photograph of a television screen resting on a wooden chair with a red cushion. The screen displays a black and white image of several masked figures.
    Year 2021
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • A red room containing a pile of miscellaneous items. Yellow text that reads,
    A red room containing a pile of miscellaneous items. Yellow text that reads,
    Show and Tell: A Chronicle. of Group Material. Doug Ashford, Julie Ault, Sabrina Locks. Four Corners Books, 2010. Hardcover, 272 pages. $35 . $120 Signed. at the Artists Space Bookstore [A red room containing a pile of miscellaneous items. Yellow text that reads, "Show and Tell: A Chronical of Group Material, Edited by Julie Ault."]
    Caption Show and Tell: A Chronicle. of Group Material. Doug Ashford, Julie Ault, Sabrina Locks. Four Corners Books, 2010. Hardcover, 272 pages. $35 . $120 Signed. at the Artists Space Bookstore
    Image description A red room containing a pile of miscellaneous items. Yellow text that reads, "Show and Tell: A Chronical of Group Material, Edited by Julie Ault."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A color photograph looking down an alleyway. Sets of grey and yellow posters hang from the brick wall of the alleyway.
    A color photograph looking down an alleyway. Sets of grey and yellow posters hang from the brick wall of the alleyway.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph looking down an alleyway. Sets of grey and yellow posters hang from the brick wall of the alleyway.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph looking down an alleyway. Sets of grey and yellow posters hang from the brick wall of the alleyway.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
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  • A negative exposure of several people standing or walking in a hallway with an arched ceiling.
    A negative exposure of several people standing or walking in a hallway with an arched ceiling.
    Angie Eng, still from Undersites, 1996. Video. [A negative exposure of several people standing or walking in a hallway with an arched ceiling.]
    Caption Angie Eng, still from Undersites, 1996. Video.
    Image description A negative exposure of several people standing or walking in a hallway with an arched ceiling.
    Year 1996
    Related pages Safety Belt
  • Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.
    Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Black and white image of four men resting near a large, rigged tarp providing shade on a beach. Three of the men sit and recline on the sand, wearing white button-down shirts and trousers. The fourth man wears a hat and stands behind the men.
    Black and white image of four men resting near a large, rigged tarp providing shade on a beach. Three of the men sit and recline on the sand, wearing white button-down shirts and trousers. The fourth man wears a hat and stands behind the men.
    Allan Berliner, still from Intimate Stranger, 1991. [Black and white image of four men resting near a large, rigged tarp providing shade on a beach. Three of the men sit and recline on the sand, wearing white button-down shirts and trousers. The fourth man wears a hat and stands behind the men.]
    Caption Allan Berliner, still from Intimate Stranger, 1991.
    Image description Black and white image of four men resting near a large, rigged tarp providing shade on a beach. Three of the men sit and recline on the sand, wearing white button-down shirts and trousers. The fourth man wears a hat and stands behind the men.
    Year 1991
    Related pages Japan: Outside/Inside/In Between Part 3: Individuals, In Between
  • Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.
    Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014.
    Image description Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings.
    A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings.
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings. ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings.
    Year
    Related pages All These Different Things Are Sculpture
  • A series of vintage, abstract clocks hanging on a white wall above a long didactic text displayed on a horizontal plinth.
    A series of vintage, abstract clocks hanging on a white wall above a long didactic text displayed on a horizontal plinth.
    Vintage clocks designed by George Nelson, late 1940-50s. Collected by Felix Gonzalez-Torres. Loaned by Julie Ault, John Connelly, Amada Cruz Harman and Rick G. Harman, Jim Hodges, Roni Horn, Michelle Reyes, Andrea Rosen. [A series of vintage, abstract clocks hanging on a white wall above a long didactic text displayed on a horizontal plinth.]
    Caption Vintage clocks designed by George Nelson, late 1940-50s. Collected by Felix Gonzalez-Torres. Loaned by Julie Ault, John Connelly, Amada Cruz Harman and Rick G. Harman, Jim Hodges, Roni Horn, Michelle Reyes, Andrea Rosen.
    Image description A series of vintage, abstract clocks hanging on a white wall above a long didactic text displayed on a horizontal plinth.
    Year 2014
    Related pages Ever Ephemeral
  • An image of a person with long brown hair pointing a pistol at the camera is superimposed on top of an image of a picturesque lake.
    An image of a person with long brown hair pointing a pistol at the camera is superimposed on top of an image of a picturesque lake.
    Adam and Zack Khalil, still from INAATE/SE/ [it shines a certain way. to a certain place./it flies. falls./], 2016. [An image of a person with long brown hair pointing a pistol at the camera is superimposed on top of an image of a picturesque lake.]
    Caption Adam and Zack Khalil, still from INAATE/SE/ [it shines a certain way. to a certain place./it flies. falls./], 2016.
    Image description An image of a person with long brown hair pointing a pistol at the camera is superimposed on top of an image of a picturesque lake.
    Year 2017
    Related pages Unholding
  • A black and white image of three people wearing winter coats and scarves, observing something to the left of the camera.
    A black and white image of three people wearing winter coats and scarves, observing something to the left of the camera.
    Jo Anstey and Julie Zando. Still from The Bus Stops Here, 1990. 27 min. Photo: Micki McGee. [A black and white image of three people wearing winter coats and scarves, observing something to the left of the camera.]
    Caption Jo Anstey and Julie Zando. Still from The Bus Stops Here, 1990. 27 min. Photo: Micki McGee.
    Image description A black and white image of three people wearing winter coats and scarves, observing something to the left of the camera.
    Year 1990
    Related pages Body Language: Studies in Female Expression
  • A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    Ann Hamilton, Mirrim, 1999, Iris print, 30 x 22 inches (76.2 x 55.9 cm), Edition of 40, Signed & numbered. [A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.]
    Caption Ann Hamilton, Mirrim, 1999, Iris print, 30 x 22 inches (76.2 x 55.9 cm), Edition of 40, Signed & numbered.
    Image description A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    Year 1999
    Related pages Editions
  • Magazine cut-outs and ink drawings are collaged together on a background of pink, green, and yellowed paper. Pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of pink, green, and yellowed paper. Pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of pink, green, and yellowed paper. Pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of pink, green, and yellowed paper. Pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #76
  • A Frida Kahlo painting and portrait of woman against a black background.
    A Frida Kahlo painting and portrait of woman against a black background.
    [A Frida Kahlo painting and portrait of woman against a black background.]
    Caption
    Image description A Frida Kahlo painting and portrait of woman against a black background.
    Year 2013
    Related pages Richard Hollis
  • A plaque with text is hung up next to an open doorframe. Through the doorframe, a continuous strip extending around the perimeter of the room is visible. The strip on the walls alternates between photographic stills and black boxes overlaid with white text.
    A plaque with text is hung up next to an open doorframe. Through the doorframe, a continuous strip extending around the perimeter of the room is visible. The strip on the walls alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A plaque with text is hung up next to an open doorframe. Through the doorframe, a continuous strip extending around the perimeter of the room is visible. The strip on the walls alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A plaque with text is hung up next to an open doorframe. Through the doorframe, a continuous strip extending around the perimeter of the room is visible. The strip on the walls alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
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    Related pages Michael Asher
  • A figure in a red sweater stands on stage, with three microphones placed around them. They hold a white conch shell in their hands, their mouth is open.
    A figure in a red sweater stands on stage, with three microphones placed around them. They hold a white conch shell in their hands, their mouth is open.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater stands on stage, with three microphones placed around them. They hold a white conch shell in their hands, their mouth is open.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a red sweater stands on stage, with three microphones placed around them. They hold a white conch shell in their hands, their mouth is open.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.
    Year 2022
    Related pages Yuji Agematsu
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  • A screenshot of a video call presentation. Names of individuals are weaved together digitally in a quilt-like fashion. These names are flanked on the right side by the images of ten individuals who are joining the call remotely.
    A screenshot of a video call presentation. Names of individuals are weaved together digitally in a quilt-like fashion. These names are flanked on the right side by the images of ten individuals who are joining the call remotely.
    We Are The History of the Future: Listening to the LES online presentation, My Story Our Story Quilt, P.S. 140 7th grade students [A screenshot of a video call presentation. Names of individuals are weaved together digitally in a quilt-like fashion. These names are flanked on the right side by the images of ten individuals who are joining the call remotely.]
    Caption We Are The History of the Future: Listening to the LES online presentation, My Story Our Story Quilt, P.S. 140 7th grade students
    Image description A screenshot of a video call presentation. Names of individuals are weaved together digitally in a quilt-like fashion. These names are flanked on the right side by the images of ten individuals who are joining the call remotely.
    Year 2020
    Related pages Exhibitions and Events
  • Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #74
  • A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid.
    A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid.
    William Pope.L, Maybe, 2009-2010. MDF board, sardine cans, plastic bag, cardboard box, nails, electrical extension cord, paint, graphite. 96 x 96 x 18 inches. [A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid. ]
    Caption William Pope.L, Maybe, 2009-2010. MDF board, sardine cans, plastic bag, cardboard box, nails, electrical extension cord, paint, graphite. 96 x 96 x 18 inches.
    Image description A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid.
    Year
    Related pages Arnold Kemp
  • Eleven tan sacks of various sizes hang on a while wall. Each is illustrated with individual imagery and/or text. A long one, hanging at the top left, reads
    Eleven tan sacks of various sizes hang on a while wall. Each is illustrated with individual imagery and/or text. A long one, hanging at the top left, reads
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Eleven tan sacks of various sizes hang on a while wall. Each is illustrated with individual imagery and/or text. A long one, hanging at the top left, reads "CHASE" in block letters. A painting is hung in the background on a wall.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Eleven tan sacks of various sizes hang on a while wall. Each is illustrated with individual imagery and/or text. A long one, hanging at the top left, reads "CHASE" in block letters. A painting is hung in the background on a wall.
    Year 2017
    Related pages Unholding
  • A black logo consisting of a lowercase letter
    A black logo consisting of a lowercase letter
    [A black logo consisting of a lowercase letter "b" connected to a smaller, lowercase letter "c" on a white background.]
    Caption
    Image description A black logo consisting of a lowercase letter "b" connected to a smaller, lowercase letter "c" on a white background.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A large screen in a dark room, showing an image of a pair of bare legs from the knees down.
    A large screen in a dark room, showing an image of a pair of bare legs from the knees down.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A large screen in a dark room, showing an image of a pair of bare legs from the knees down.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A large screen in a dark room, showing an image of a pair of bare legs from the knees down.
    Year 2008
    Related pages The New Normal
  • A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.]
    Caption Freya Hansell. Installation view, Artists Space, 1980.
    Image description A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    Year
    Related pages Freya Hansell
  • A dark room with a video projection on the wall and several benches. The image shows a crowd of people, some children and some adults, sitting on grass and watching a guitar player.
    A dark room with a video projection on the wall and several benches. The image shows a crowd of people, some children and some adults, sitting on grass and watching a guitar player.
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A dark room with a video projection on the wall and several benches. The image shows a crowd of people, some children and some adults, sitting on grass and watching a guitar player.]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A dark room with a video projection on the wall and several benches. The image shows a crowd of people, some children and some adults, sitting on grass and watching a guitar player.
    Year 2009
    Related pages The columns held us up
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    Related pages Membership
  • Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Julia Rommel, Back Channel, 2023. Photo: Filip Wolak. [Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.]
    Caption Julia Rommel, Back Channel, 2023. Photo: Filip Wolak.
    Image description Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Year 2023
    Related pages Artists for Artists Space
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    Year
    Related pages Artists Space Items
  • The façade of a large, stone museum. A cobblestone, roundabout path snakes in front of the museum, with a series of bushes and greenery planted in the middle of the roundabout.
    The façade of a large, stone museum. A cobblestone, roundabout path snakes in front of the museum, with a series of bushes and greenery planted in the middle of the roundabout.
    John Knight, The Right to Be Lazy, 2008. Hamburger Bahnhof Museum für Gegenwart, Berlin. [The façade of a large, stone museum. A cobblestone, roundabout path snakes in front of the museum, with a series of bushes and greenery planted in the middle of the roundabout.]
    Caption John Knight, The Right to Be Lazy, 2008. Hamburger Bahnhof Museum für Gegenwart, Berlin.
    Image description The façade of a large, stone museum. A cobblestone, roundabout path snakes in front of the museum, with a series of bushes and greenery planted in the middle of the roundabout.
    Year 2016
    Related pages Artists Space Dialogues: John Knight and Bettina Funcke
  • A black and white film still of two people in period dress. One lies on a patterned couch, wrapped in sheets, while the other stands observing. Above the couch, a mirror on the wall reflects the scene to the camera.
    A black and white film still of two people in period dress. One lies on a patterned couch, wrapped in sheets, while the other stands observing. Above the couch, a mirror on the wall reflects the scene to the camera.
    James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of two people in period dress. One lies on a patterned couch, wrapped in sheets, while the other stands observing. Above the couch, a mirror on the wall reflects the scene to the camera.]
    Caption James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min.
    Image description A black and white film still of two people in period dress. One lies on a patterned couch, wrapped in sheets, while the other stands observing. Above the couch, a mirror on the wall reflects the scene to the camera.
    Year 1988
    Related pages Michael Asher / James Coleman
  • Graphic logo reads I ♥ John Giorno in red text.
    Graphic logo reads I ♥ John Giorno in red text.
    [Graphic logo reads I ♥ John Giorno in red text.]
    Caption
    Image description Graphic logo reads I ♥ John Giorno in red text.
    Year 2017
    Related pages Ugo Rondinone: I ♥ John Giorno
  • Two black and white images displayed on a pedestal in front of a column in an exhibition space. Behind the column, several photographs in white frames lean against a gallery wall with many windows. A long red carpet stretches across the floor underneath the framed images.
    Two black and white images displayed on a pedestal in front of a column in an exhibition space. Behind the column, several photographs in white frames lean against a gallery wall with many windows. A long red carpet stretches across the floor underneath the framed images.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two black and white images displayed on a pedestal in front of a column in an exhibition space. Behind the column, several photographs in white frames lean against a gallery wall with many windows. A long red carpet stretches across the floor underneath the framed images.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two black and white images displayed on a pedestal in front of a column in an exhibition space. Behind the column, several photographs in white frames lean against a gallery wall with many windows. A long red carpet stretches across the floor underneath the framed images.
    Year 2013
    Related pages Frozen Lakes
  • Two large, orange slug sculptures forming a circular ring shape around separate cast iron columns suspended by black elastic chords in a white walled gallery space with a square painting in the background.
    Two large, orange slug sculptures forming a circular ring shape around separate cast iron columns suspended by black elastic chords in a white walled gallery space with a square painting in the background.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Two large, orange slug sculptures forming a circular ring shape around separate cast iron columns suspended by black elastic chords in a white walled gallery space with a square painting in the background.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description Two large, orange slug sculptures forming a circular ring shape around separate cast iron columns suspended by black elastic chords in a white walled gallery space with a square painting in the background.
    Year 2020
    Related pages Jana Euler
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    Year
    Related pages Abasement #77
  • A nude figure with a nude figure emerging from its neck is pierced with three arrows while its arms are hidden behind its back. Blood-like lines appear dripping from the arrows. A sky is visible behind the figure.
    A nude figure with a nude figure emerging from its neck is pierced with three arrows while its arms are hidden behind its back. Blood-like lines appear dripping from the arrows. A sky is visible behind the figure.
    Neraldo de la Paz. San Sebastian, 1984. [A nude figure with a nude figure emerging from its neck is pierced with three arrows while its arms are hidden behind its back. Blood-like lines appear dripping from the arrows. A sky is visible behind the figure.]
    Caption Neraldo de la Paz. San Sebastian, 1984.
    Image description A nude figure with a nude figure emerging from its neck is pierced with three arrows while its arms are hidden behind its back. Blood-like lines appear dripping from the arrows. A sky is visible behind the figure.
    Year
    Related pages Recent Art from Chicago
  • Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Two drawings are exhibited on a black wall. On the left, a colorful drawing of a cowboy is accompanied by a grid of numbers and titled <em>Random Cowboy</em>. On the right, abstracted numbered houses are drawn in thick black marker and surround a grid of faces.
    Two drawings are exhibited on a black wall. On the left, a colorful drawing of a cowboy is accompanied by a grid of numbers and titled <em>Random Cowboy</em>. On the right, abstracted numbered houses are drawn in thick black marker and surround a grid of faces.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Two drawings are exhibited on a black wall. On the left, a colorful drawing of a cowboy is accompanied by a grid of numbers and titled Random Cowboy. On the right, abstracted numbered houses are drawn in thick black marker and surround a grid of faces.]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description Two drawings are exhibited on a black wall. On the left, a colorful drawing of a cowboy is accompanied by a grid of numbers and titled Random Cowboy. On the right, abstracted numbered houses are drawn in thick black marker and surround a grid of faces.
    Year
    Related pages Ralston Farina: Time // Time
  • A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.
    A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
  • A flyer for Concert's tour, ending at Artists Space on June 30. The yellow flyer features two black speakers mounted on stands.
    A flyer for Concert's tour, ending at Artists Space on June 30. The yellow flyer features two black speakers mounted on stands.
    [A flyer for Concert's tour, ending at Artists Space on June 30. The yellow flyer features two black speakers mounted on stands.]
    Caption
    Image description A flyer for Concert's tour, ending at Artists Space on June 30. The yellow flyer features two black speakers mounted on stands.
    Year
    Related pages Behave Like an Audience
  • A black and white photograph of mixed media collage work hanging on gallery walls.
    A black and white photograph of mixed media collage work hanging on gallery walls.
    Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white photograph of mixed media collage work hanging on gallery walls.]
    Caption Too Black, Too Strong! Installation View, Artists Space, 1988.
    Image description A black and white photograph of mixed media collage work hanging on gallery walls.
    Year 1988
    Related pages Too Black, Too Strong!
  • Color photo of three musicians captured mid-performance on stage in a dark venue space. The performer in the middle plays the trumpet and is flanked at either side by two men playing clarinets. The musicians are illuminated by green and blue abstract projections that are cast on the wall behind them.
    Color photo of three musicians captured mid-performance on stage in a dark venue space. The performer in the middle plays the trumpet and is flanked at either side by two men playing clarinets. The musicians are illuminated by green and blue abstract projections that are cast on the wall behind them.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of three musicians captured mid-performance on stage in a dark venue space. The performer in the middle plays the trumpet and is flanked at either side by two men playing clarinets. The musicians are illuminated by green and blue abstract projections that are cast on the wall behind them.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of three musicians captured mid-performance on stage in a dark venue space. The performer in the middle plays the trumpet and is flanked at either side by two men playing clarinets. The musicians are illuminated by green and blue abstract projections that are cast on the wall behind them.
    Year
    Related pages Abasement #64
  • Frame photographs and text hang on the wall in a gallery space.
    Frame photographs and text hang on the wall in a gallery space.
    Pool Show. Installation view, Artists Space, 1980. [Frame photographs and text hang on the wall in a gallery space.]
    Caption Pool Show. Installation view, Artists Space, 1980.
    Image description Frame photographs and text hang on the wall in a gallery space.
    Year
    Related pages Pool Show
  • A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.
    A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.
    Year
    Related pages S*an D. Henry-Smith
  • In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.
    In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.. [In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez..
    Image description In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.
    Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.
    Year 2008
    Related pages Nina in Position
  • A person driving a car is seen from behind, as if the camera is in the backseat. Their face is hidden by the headrest of the car seat. Trinkets hang from the rearview mirror.
    A person driving a car is seen from behind, as if the camera is in the backseat. Their face is hidden by the headrest of the car seat. Trinkets hang from the rearview mirror.
    Jayce Salloum, Episode 1: So. Cal., 1988. 33 minutes, 1/2", color. Film still. [A person driving a car is seen from behind, as if the camera is in the backseat. Their face is hidden by the headrest of the car seat. Trinkets hang from the rearview mirror.]
    Caption Jayce Salloum, Episode 1: So. Cal., 1988. 33 minutes, 1/2", color. Film still.
    Image description A person driving a car is seen from behind, as if the camera is in the backseat. Their face is hidden by the headrest of the car seat. Trinkets hang from the rearview mirror.
    Year 1988
    Related pages Document and Dream
  • A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    Carolyn Lazard: Two-way. Installation view (Vital, 2025), Artists Space, 2025. Photo: Greg Carideo. [A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.]
    Caption Carolyn Lazard: Two-way. Installation view (Vital, 2025), Artists Space, 2025. Photo: Greg Carideo.
    Image description A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    Year
    Related pages Carolyn Lazard
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    Related pages Brad Kronz
  • [Amelia Bande sits on the floor next to a pile of stones and leans on a cement block while holding a white rock in her hand. She sings, “it brings landscapes where I am not.”]
    [Amelia Bande sits on the floor next to a pile of stones and leans on a cement block while holding a white rock in her hand. She sings, “it brings landscapes where I am not.”]
    Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist. [[Amelia Bande sits on the floor next to a pile of stones and leans on a cement block while holding a white rock in her hand. She sings, “it brings landscapes where I am not.”]]
    Caption Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist.
    Image description [Amelia Bande sits on the floor next to a pile of stones and leans on a cement block while holding a white rock in her hand. She sings, “it brings landscapes where I am not.”]
    Year
    Related pages Repeat Viewings (2020-2021)
  • Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.
    Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.
    Yasunao Tone performing Genealogy and Music, Event 201, Merce Cunningham Studio, New York, 1978 [Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.]
    Caption Yasunao Tone performing Genealogy and Music, Event 201, Merce Cunningham Studio, New York, 1978
    Image description Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.
    Year
    Related pages Yasunao Tone Concert #2
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  • Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.
    Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.
    Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, 2019. Photo: Daniel Pérez. [Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.]
    Caption Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, 2019. Photo: Daniel Pérez.
    Image description Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.
    Year 2019
    Related pages
  • A two-toned wall with three paper collages hanging next to a niche that houses a red elevator. Vinyl text displayed on the wall above the niche reads,
    A two-toned wall with three paper collages hanging next to a niche that houses a red elevator. Vinyl text displayed on the wall above the niche reads,
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A two-toned wall with three paper collages hanging next to a niche that houses a red elevator. Vinyl text displayed on the wall above the niche reads, "Jack Smith, Art Crust of Spirtual Oasis, June 22 - September 9."]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A two-toned wall with three paper collages hanging next to a niche that houses a red elevator. Vinyl text displayed on the wall above the niche reads, "Jack Smith, Art Crust of Spirtual Oasis, June 22 - September 9."
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • The title and table of contents page of an essay published in the Harvard Law Review.
    The title and table of contents page of an essay published in the Harvard Law Review.
    Harris, Cheryl I, "Whiteness as Property." Harvard Law Review. Vol. 106, No. 8, June 1993. [The title and table of contents page of an essay published in the Harvard Law Review.]
    Caption Harris, Cheryl I, "Whiteness as Property." Harvard Law Review. Vol. 106, No. 8, June 1993.
    Image description The title and table of contents page of an essay published in the Harvard Law Review.
    Year 1993
    Related pages The Afterlife of Slavery: Markets, Property and Race
  • A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.
    A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.
    Katsuhiro Saiki. Installation view, Artists Space, 2003. [A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.]
    Caption Katsuhiro Saiki. Installation view, Artists Space, 2003.
    Image description A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.
    Year 2003
    Related pages Katsuhiro Saiki
  • A glass case displaying archival documents and images
    A glass case displaying archival documents and images
    ART CLUB2000 Selections from ART CLUB2000 archive, detail, 1992–1999 Image courtesy Artists Space, New York Photo: Filip Wolak [A glass case displaying archival documents and images]
    Caption ART CLUB2000 Selections from ART CLUB2000 archive, detail, 1992–1999 Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A glass case displaying archival documents and images
    Year 2021
    Related pages ART CLUB2000
  • Several artworks installed in a large gallery space with white walls and wooden flooring. A television monitor rests on a low acrylic box on the floor to the room's right side. A warped purple and pink image resembling a kaleidoscopic star shape is displayed on its screen. There are white columns to the left of the monitor. Hanging on a gallery wall on the image's far left side is a large piece of translucent, white cloth embroidered with amorphous red and blue linework. The far gallery wall behind the twinned columns has been painted with slanted, striped areas of peach, yellow, and ochre color.
    Several artworks installed in a large gallery space with white walls and wooden flooring. A television monitor rests on a low acrylic box on the floor to the room's right side. A warped purple and pink image resembling a kaleidoscopic star shape is displayed on its screen. There are white columns to the left of the monitor. Hanging on a gallery wall on the image's far left side is a large piece of translucent, white cloth embroidered with amorphous red and blue linework. The far gallery wall behind the twinned columns has been painted with slanted, striped areas of peach, yellow, and ochre color.
    Abstruction. Installation view, Artists Space, 2003. [Several artworks installed in a large gallery space with white walls and wooden flooring. A television monitor rests on a low acrylic box on the floor to the room's right side. A warped purple and pink image resembling a kaleidoscopic star shape is displayed on its screen. There are white columns to the left of the monitor. Hanging on a gallery wall on the image's far left side is a large piece of translucent, white cloth embroidered with amorphous red and blue linework. The far gallery wall behind the twinned columns has been painted with slanted, striped areas of peach, yellow, and ochre color.]
    Caption Abstruction. Installation view, Artists Space, 2003.
    Image description Several artworks installed in a large gallery space with white walls and wooden flooring. A television monitor rests on a low acrylic box on the floor to the room's right side. A warped purple and pink image resembling a kaleidoscopic star shape is displayed on its screen. There are white columns to the left of the monitor. Hanging on a gallery wall on the image's far left side is a large piece of translucent, white cloth embroidered with amorphous red and blue linework. The far gallery wall behind the twinned columns has been painted with slanted, striped areas of peach, yellow, and ochre color.
    Year 2003
    Related pages Abstruction
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white photograph of a television set upon a wooden side table in front of a window in a gallery space.
    A black and white photograph of a television set upon a wooden side table in front of a window in a gallery space.
    J.B. Cobb, Optical, 1973. From J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973. [A black and white photograph of a television set upon a wooden side table in front of a window in a gallery space.]
    Caption J.B. Cobb, Optical, 1973. From J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973.
    Image description A black and white photograph of a television set upon a wooden side table in front of a window in a gallery space.
    Year 1973
    Related pages J.B. Cobb, Martha Edelheit, Ree Morton
  • A series of candles, each made of layers of red, white, and blue wax, are placed on an aluminum shelf. From the front, the shape of the candles spell out
    A series of candles, each made of layers of red, white, and blue wax, are placed on an aluminum shelf. From the front, the shape of the candles spell out
    Nayland Blake, Rafts (detail), 2019. Wax and aluminum. 3 aluminum shelves, each: 8 x 20 x 60 inches. 60 wax candles, each: 7 1/2 x 7 x 1 7/8 inches. ©Nayland Blake, Courtesy Matthew Marks Gallery. [A series of candles, each made of layers of red, white, and blue wax, are placed on an aluminum shelf. From the front, the shape of the candles spell out "LOVE." ]
    Caption Nayland Blake, Rafts (detail), 2019. Wax and aluminum. 3 aluminum shelves, each: 8 x 20 x 60 inches. 60 wax candles, each: 7 1/2 x 7 x 1 7/8 inches. ©Nayland Blake, Courtesy Matthew Marks Gallery.
    Image description A series of candles, each made of layers of red, white, and blue wax, are placed on an aluminum shelf. From the front, the shape of the candles spell out "LOVE."
    Year
    Related pages Arnold Kemp
  • A display of Gap shoe boxes that meet an intersecting wall. Behind them, on the gallery wall is a series of images showing found documents. Above the images is a yellow band that wraps to the adjacent wall with text that reads
    A display of Gap shoe boxes that meet an intersecting wall. Behind them, on the gallery wall is a series of images showing found documents. Above the images is a yellow band that wraps to the adjacent wall with text that reads
    ART CLUB2000 Seven Black and White Photographs (Untitled), detail, 1993 Silver gelatin prints 11 x 14 inches each Image courtesy Artists Space, New York Photo: Filip Wolak [A display of Gap shoe boxes that meet an intersecting wall. Behind them, on the gallery wall is a series of images showing found documents. Above the images is a yellow band that wraps to the adjacent wall with text that reads "A youngboy might start crying, a middle aged housewife".]
    Caption ART CLUB2000 Seven Black and White Photographs (Untitled), detail, 1993 Silver gelatin prints 11 x 14 inches each Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A display of Gap shoe boxes that meet an intersecting wall. Behind them, on the gallery wall is a series of images showing found documents. Above the images is a yellow band that wraps to the adjacent wall with text that reads "A youngboy might start crying, a middle aged housewife".
    Year 2021
    Related pages ART CLUB2000
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    Year
    Related pages Joo-Hyun Kim, Ted Rees, Oki Sogumi
  • Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.
    Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.
    A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
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    Related pages Whitney Independent Study: Everything is Common
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    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Light blue text overlays a dark blue background. The top left corner reads:
    Light blue text overlays a dark blue background. The top left corner reads:
    Flyer for Segue Reading Series featuring Emily Lee Luan & imogen xtian smith. November 5, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Emily Lee Luan & imogen xtian smith / November 5, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."]
    Caption Flyer for Segue Reading Series featuring Emily Lee Luan & imogen xtian smith. November 5, 2022, Artists Space.
    Image description Light blue text overlays a dark blue background. The top left corner reads: "Emily Lee Luan & imogen xtian smith / November 5, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."
    Year
    Related pages Segue Reading Series: Emily Lee Luan & imogen xtian smith
  • David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description
    Year
    Related pages David Armstrong: Portraits
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 27 / Stephon Lawrence / Manuel Paul López.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 27 / Stephon Lawrence / Manuel Paul López.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 27 / Stephon Lawrence / Manuel Paul López.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 27 / Stephon Lawrence / Manuel Paul López.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Stephon Lawrence & Manuel Paul López
  • Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.
    Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.
    Year 2017
    Related pages Unholding
  • View down a hallway with framed images on the wall.
    View down a hallway with framed images on the wall.
    Young Fluxus. Installation view, Artists Space, 1982. [View down a hallway with framed images on the wall.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description View down a hallway with framed images on the wall.
    Year
    Related pages Young Fluxus
  • A number of wooden sculptures appear in various shapes in a white-walled gallery space.
    A number of wooden sculptures appear in various shapes in a white-walled gallery space.
    Selections from the Artists File, installation view, Artists Space, 1986. [A number of wooden sculptures appear in various shapes in a white-walled gallery space.]
    Caption Selections from the Artists File, installation view, Artists Space, 1986.
    Image description A number of wooden sculptures appear in various shapes in a white-walled gallery space.
    Year
    Related pages Selections from the Artists File
  • Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 12-3
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