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  • Three framed photographs installed in the corner of a gallery space with white walls and wooden flooring. Two darker, square photographs with large white frames are installed on the corner's left wall, while a lighter photograph of a gate-like structure is installed in a slim black frame on the corner's right wall.
    Three framed photographs installed in the corner of a gallery space with white walls and wooden flooring. Two darker, square photographs with large white frames are installed on the corner's left wall, while a lighter photograph of a gate-like structure is installed in a slim black frame on the corner's right wall.
    Urban Pornography. Installation view, Artists Space, 2001. [Three framed photographs installed in the corner of a gallery space with white walls and wooden flooring. Two darker, square photographs with large white frames are installed on the corner's left wall, while a lighter photograph of a gate-like structure is installed in a slim black frame on the corner's right wall.]
    Caption Urban Pornography. Installation view, Artists Space, 2001.
    Image description Three framed photographs installed in the corner of a gallery space with white walls and wooden flooring. Two darker, square photographs with large white frames are installed on the corner's left wall, while a lighter photograph of a gate-like structure is installed in a slim black frame on the corner's right wall.
    Year 2001
    Related pages Urban Pornography
  • Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.
    Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.
    Year 2017
    Related pages Unholding
  • Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.
    Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.
    Mara Korkola, No Place, 2002. [Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.]
    Caption Mara Korkola, No Place, 2002.
    Image description Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.
    Year 2002
    Related pages Painting as Paradox
  • Trees in a dense forest captured at nightfall.
    Trees in a dense forest captured at nightfall.
    James Benning, still from Nightfall, 2011. Digital HD, 97 min. [Trees in a dense forest captured at nightfall.]
    Caption James Benning, still from Nightfall, 2011. Digital HD, 97 min.
    Image description Trees in a dense forest captured at nightfall.
    Year 2011
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | February 20
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    Image description
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    Related pages fwiw
  • A large gallery space houses a variety of plinths made of MDF atop of which are placed various archival documents and objects, such as exhibition pamphlets and art historical journals.
    A large gallery space houses a variety of plinths made of MDF atop of which are placed various archival documents and objects, such as exhibition pamphlets and art historical journals.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A large gallery space houses a variety of plinths made of MDF atop of which are placed various archival documents and objects, such as exhibition pamphlets and art historical journals. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A large gallery space houses a variety of plinths made of MDF atop of which are placed various archival documents and objects, such as exhibition pamphlets and art historical journals.
    Year
    Related pages Michael Asher
  • A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.
    A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.
    Eileen Neff, Cezanne's Dream, 1992. Mixed media installation. Photo: Erik Landsberg. [A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.]
    Caption Eileen Neff, Cezanne's Dream, 1992. Mixed media installation. Photo: Erik Landsberg.
    Image description A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.
    Year
    Related pages The Mountain A Bed and A Chair
  • A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square." />
    A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square." />
    Recycling L.A., Newspaper cover, May 1990. [A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.]
    Caption Recycling L.A., Newspaper cover, May 1990.
    Image description A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.
    Year 1990
    Related pages Recycling L.A.
  • A wall-sized, black and white photograph of chair and man in front of a train car is adjacent to an angled wall displaying photographs and documents behind glass. In the right hand foreground is a 35mm projector.
    A wall-sized, black and white photograph of chair and man in front of a train car is adjacent to an angled wall displaying photographs and documents behind glass. In the right hand foreground is a 35mm projector.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Kaiserstraße 31A (1963),” Artists Space, 2014. [A wall-sized, black and white photograph of chair and man in front of a train car is adjacent to an angled wall displaying photographs and documents behind glass. In the right hand foreground is a 35mm projector.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Kaiserstraße 31A (1963),” Artists Space, 2014.
    Image description A wall-sized, black and white photograph of chair and man in front of a train car is adjacent to an angled wall displaying photographs and documents behind glass. In the right hand foreground is a 35mm projector.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color photograph of a wooden cafe chair with a green cushion in a gallery space. A television screen rests on top of the chair.
    A color photograph of a wooden cafe chair with a green cushion in a gallery space. A television screen rests on top of the chair.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a wooden cafe chair with a green cushion in a gallery space. A television screen rests on top of the chair.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a wooden cafe chair with a green cushion in a gallery space. A television screen rests on top of the chair.
    Year 2022
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • Portrait of a figure in a blue shirt looking into the camera.
    Portrait of a figure in a blue shirt looking into the camera.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [Portrait of a figure in a blue shirt looking into the camera.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description Portrait of a figure in a blue shirt looking into the camera.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.
    A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.
    [A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.]
    Caption
    Image description A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.
    Year 2018
    Related pages What Are Our Questions?
  • An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.
    An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.
    [An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.]
    Caption
    Image description An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.
    Year 2020
    Related pages Segue Reading Series: Tongo Eisen-Martin & Jennifer Soong
  • A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.
    A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.
    Anna Gili, Flower Dress, 1987. [A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.]
    Caption Anna Gili, Flower Dress, 1987.
    Image description A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.
    Year 1987
    Related pages Anna Gili
  • Detail view of an abstract grey sculpture on a white pedestal. The surface of the sculpture is shiny and made of synthetic materials.
    Detail view of an abstract grey sculpture on a white pedestal. The surface of the sculpture is shiny and made of synthetic materials.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Detail view of an abstract grey sculpture on a white pedestal. The surface of the sculpture is shiny and made of synthetic materials.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Detail view of an abstract grey sculpture on a white pedestal. The surface of the sculpture is shiny and made of synthetic materials.
    Year 2006
    Related pages UniBodies
  • Color photo of a woman captured mid-performance in a dimly lit venue. The performer is situated before a microphone and a music stand, while a crowd of seated and standing audience members attentively watch. Bright spotted lights from a disco ball out of view sparsely illuminate the environment.
    Color photo of a woman captured mid-performance in a dimly lit venue. The performer is situated before a microphone and a music stand, while a crowd of seated and standing audience members attentively watch. Bright spotted lights from a disco ball out of view sparsely illuminate the environment.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of a woman captured mid-performance in a dimly lit venue. The performer is situated before a microphone and a music stand, while a crowd of seated and standing audience members attentively watch. Bright spotted lights from a disco ball out of view sparsely illuminate the environment.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of a woman captured mid-performance in a dimly lit venue. The performer is situated before a microphone and a music stand, while a crowd of seated and standing audience members attentively watch. Bright spotted lights from a disco ball out of view sparsely illuminate the environment.
    Year
    Related pages Abasement #64
  • A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    Served Up! R.M. Fischer. Installation view, Artists Space, 1979. [A black-and-white photograph of a gallery space with several floor lamps installed throughout.]
    Caption Served Up! R.M. Fischer. Installation view, Artists Space, 1979.
    Image description A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    Year
    Related pages Served Up! R. M. Fischer
  • A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads
    A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads
    [A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $603.10]
    Caption
    Image description A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $603.10
    Year 2015
    Related pages Cameron Rowland: 91020000
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    Year
    Related pages Carolyn Lazard
  • A performer sits on stage, playing a double-neck guitar.
    A performer sits on stage, playing a double-neck guitar.
    Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [A performer sits on stage, playing a double-neck guitar. ]
    Caption Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer sits on stage, playing a double-neck guitar.
    Year
    Related pages Abasement #79
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    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A composition of four images, showing two detail views of a black and white painting, and two installation views of a white-walled gallery.
    A composition of four images, showing two detail views of a black and white painting, and two installation views of a white-walled gallery.
    Richard Aldrich, Big, Small, 2016, 
Inkjet print, 
17 x 11 in
/ 43,2 x 28 cm, 
Signed and Numbered. [A composition of four images, showing two detail views of a black and white painting, and two installation views of a white-walled gallery.]
    Caption Richard Aldrich, Big, Small, 2016, 
Inkjet print, 
17 x 11 in
/ 43,2 x 28 cm, 
Signed and Numbered.
    Image description A composition of four images, showing two detail views of a black and white painting, and two installation views of a white-walled gallery.
    Year
    Related pages Artists Space Annual Edition Portfolio 2017
  • A black and white photograph of a painting of a pastoral landscape with trees and a waterway.
    A black and white photograph of a painting of a pastoral landscape with trees and a waterway.
    Bill Benway, The Bath of Hercules in the Love Canal, 1986. [A black and white photograph of a painting of a pastoral landscape with trees and a waterway.]
    Caption Bill Benway, The Bath of Hercules in the Love Canal, 1986.
    Image description A black and white photograph of a painting of a pastoral landscape with trees and a waterway.
    Year
    Related pages Recent Art from Chicago
  • In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—
    In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—
    "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez. [In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—"tri", "angu", and "late"—in a cursive font.]
    Caption "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez.
    Image description In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—"tri", "angu", and "late"—in a cursive font.
    Year 2011
    Related pages Dexter Sinister: "Identity"
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black text on a light green background. The text reads: “April 25 / Wayne Koestenbaum / Douglas Kearney.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light green background. The text reads: “April 25 / Wayne Koestenbaum / Douglas Kearney.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light green background. The text reads: “April 25 / Wayne Koestenbaum / Douglas Kearney.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light green background. The text reads: “April 25 / Wayne Koestenbaum / Douglas Kearney.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Wayne Koestenbaum & Douglas Kearney
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.
    Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.
    Still from video of Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990 [Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.]
    Caption Still from video of Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990
    Image description Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.
    Year
    Related pages Yasunao Tone Concert #3
  • A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.
    A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.
    Year 2022
    Related pages Abasement #61
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color installation photograph of a figure in front of a curved white wall in a gallery space.
    A color installation photograph of a figure in front of a curved white wall in a gallery space.
    Marvin Torffield. Sesondo, 1974. Three coat plaster on wire lathe with nova ply and Masonite. Installation view, Artists Space, 1974. Credit: Marvin Torffield. [A color installation photograph of a figure in front of a curved white wall in a gallery space.]
    Caption Marvin Torffield. Sesondo, 1974. Three coat plaster on wire lathe with nova ply and Masonite. Installation view, Artists Space, 1974. Credit: Marvin Torffield.
    Image description A color installation photograph of a figure in front of a curved white wall in a gallery space.
    Year 1974
    Related pages Sidney Geist, Marvin Torffield, John Torreano
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Year
    Related pages Brad Kronz
  • View through a doorway with photographs and a black text on a poster on the foreground wall and a clock along with a propeller of fan upholstered to the wall on the back wall through the doorway.
    View through a doorway with photographs and a black text on a poster on the foreground wall and a clock along with a propeller of fan upholstered to the wall on the back wall through the doorway.
    Young Fluxus. Installation view, Artists Space, 1982. [View through a doorway with photographs and a black text on a poster on the foreground wall and a clock along with a propeller of fan upholstered to the wall on the back wall through the doorway.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description View through a doorway with photographs and a black text on a poster on the foreground wall and a clock along with a propeller of fan upholstered to the wall on the back wall through the doorway.
    Year
    Related pages Young Fluxus
  • A close up image of two black and white contact sheets mounted on a wall.
    A close up image of two black and white contact sheets mounted on a wall.
    Till They Listen: Bill Gunn Directs America. Installation view featuring contact sheets from Losing Ground, c. 1982, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A close up image of two black and white contact sheets mounted on a wall.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view featuring contact sheets from Losing Ground, c. 1982, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A close up image of two black and white contact sheets mounted on a wall.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A figure performs on stage behind a table with audio equipment and holds an audio box to their mouth.
    A figure performs on stage behind a table with audio equipment and holds an audio box to their mouth.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage behind a table with audio equipment and holds an audio box to their mouth.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage behind a table with audio equipment and holds an audio box to their mouth.
    Year 2022
    Related pages Abasement #61
  • A flowing figure with a circle underneath and small shapes covering head and hand with a white background.
    A flowing figure with a circle underneath and small shapes covering head and hand with a white background.
    Lisa Hoke, View, 1985. [A flowing figure with a circle underneath and small shapes covering head and hand with a white background.]
    Caption Lisa Hoke, View, 1985.
    Image description A flowing figure with a circle underneath and small shapes covering head and hand with a white background.
    Year
    Related pages Six Sculptors
  • A drawing of an amorphous shape with a trail of black extending out the bottom and billowing upward. There are several lines of handwritten cursive text on the lefthand side of the drawing.
    A drawing of an amorphous shape with a trail of black extending out the bottom and billowing upward. There are several lines of handwritten cursive text on the lefthand side of the drawing.
    David Maljkovic, Scene for a New Heritage - New Possibilities, 2004. Mixed media on paper. Courtesy Annet Gelink Gallery, Amsterdam. [A drawing of an amorphous shape with a trail of black extending out the bottom and billowing upward. There are several lines of handwritten cursive text on the lefthand side of the drawing.]
    Caption David Maljkovic, Scene for a New Heritage - New Possibilities, 2004. Mixed media on paper. Courtesy Annet Gelink Gallery, Amsterdam.
    Image description A drawing of an amorphous shape with a trail of black extending out the bottom and billowing upward. There are several lines of handwritten cursive text on the lefthand side of the drawing.
    Year 2004
    Related pages Elephant Cemetery
  • Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon. [Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.]
    Caption Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon.
    Image description Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Year
    Related pages Aristotelis Nikolas Mochloulis Tour 3
  • A book cover featuring a vertical stack of disabled-access grab bars mounted on a black wall. White text across the center reads
    A book cover featuring a vertical stack of disabled-access grab bars mounted on a black wall. White text across the center reads
    Cover of FWIW. [A book cover featuring a vertical stack of disabled-access grab bars mounted on a black wall. White text across the center reads "FWIW: Constantina Zavitsanos / Danielle A. Jackson." Along the right edge of the book seven tabs each read a different keyword: "Infinity / Ouroboros / Stop-time / Cipher / Caption / Specter / Epilogue." The book is set on a black background.]
    Caption Cover of FWIW.
    Image description A book cover featuring a vertical stack of disabled-access grab bars mounted on a black wall. White text across the center reads "FWIW: Constantina Zavitsanos / Danielle A. Jackson." Along the right edge of the book seven tabs each read a different keyword: "Infinity / Ouroboros / Stop-time / Cipher / Caption / Specter / Epilogue." The book is set on a black background.
    Year
    Related pages FWIW
  • A large gallery space full of hundreds of metal cutouts shaped like curved
    A large gallery space full of hundreds of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.
    Year 2006
    Related pages H_edge
  • Iron columns run down the center of the open gallery. To the left sits a pair of wooden boards adorned with maroon and striped carpet. On the wall opposite hangs a smaller wooden square. A stool-like structure stands to the right of the iron columns.
    Iron columns run down the center of the open gallery. To the left sits a pair of wooden boards adorned with maroon and striped carpet. On the wall opposite hangs a smaller wooden square. A stool-like structure stands to the right of the iron columns.
    Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [Iron columns run down the center of the open gallery. To the left sits a pair of wooden boards adorned with maroon and striped carpet. On the wall opposite hangs a smaller wooden square. A stool-like structure stands to the right of the iron columns. ]
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Iron columns run down the center of the open gallery. To the left sits a pair of wooden boards adorned with maroon and striped carpet. On the wall opposite hangs a smaller wooden square. A stool-like structure stands to the right of the iron columns.
    Year
    Related pages Brad Kronz
  • Doll sculptural objects appear with text in the background while cases can be visible in the foreground with items behind glass in a white-walled gallery space.
    Doll sculptural objects appear with text in the background while cases can be visible in the foreground with items behind glass in a white-walled gallery space.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Doll sculptural objects appear with text in the background while cases can be visible in the foreground with items behind glass in a white-walled gallery space.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Doll sculptural objects appear with text in the background while cases can be visible in the foreground with items behind glass in a white-walled gallery space.
    Year
    Related pages We the People
  • A black and white image of a person sitting on a pedestal, performing in front of a crowd.
    A black and white image of a person sitting on a pedestal, performing in front of a crowd.
    Laurie Anderson; PersonA. Performance documentation, April 25, 1974, Artists Space. [A black and white image of a person sitting on a pedestal, performing in front of a crowd.]
    Caption Laurie Anderson; PersonA. Performance documentation, April 25, 1974, Artists Space.
    Image description A black and white image of a person sitting on a pedestal, performing in front of a crowd.
    Year 1974
    Related pages
  • The façade of a building adorned with a large, metal frame sculpture of the face of Che Guevara.
    The façade of a building adorned with a large, metal frame sculpture of the face of Che Guevara.
    Ministry of Interior building in Plaza de la Revolución, Havana, Cuba. [The façade of a building adorned with a large, metal frame sculpture of the face of Che Guevara.]
    Caption Ministry of Interior building in Plaza de la Revolución, Havana, Cuba.
    Image description The façade of a building adorned with a large, metal frame sculpture of the face of Che Guevara.
    Year 2013
    Related pages Rebecca Gordon-Nesbitt
  • A black and white photograph of a textured wall with white and grey splotches.
    A black and white photograph of a textured wall with white and grey splotches.
    Pamela Jenrette. Lavalava, 1974. From Scott Burton, Pamela Jenrette, Artists Space,1975. [A black and white photograph of a textured wall with white and grey splotches.]
    Caption Pamela Jenrette. Lavalava, 1974. From Scott Burton, Pamela Jenrette, Artists Space,1975.
    Image description A black and white photograph of a textured wall with white and grey splotches.
    Year 1975
    Related pages Scott Burton, Pamela Jenrette
  • A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.
    A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.
    Year
    Related pages S*an D. Henry-Smith
  • A person holding caution tape over a patch of wet cement with the words <i>Everything is common</i> written in it.
    A person holding caution tape over a patch of wet cement with the words <i>Everything is common</i> written in it.
    Cover for Everything is common catalogue by Jack Hogan [A person holding caution tape over a patch of wet cement with the words Everything is common written in it.]
    Caption Cover for Everything is common catalogue by Jack Hogan
    Image description A person holding caution tape over a patch of wet cement with the words Everything is common written in it.
    Year 2022
    Related pages Whitney Independent Study: Everything is Common
  • A figure in a suit stands on stage, behind a music stand and two microphones.
    A figure in a suit stands on stage, behind a music stand and two microphones.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure in a suit stands on stage, behind a music stand and two microphones.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a suit stands on stage, behind a music stand and two microphones.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • A figure peers into a computer while standing behind a table and next to a speaker.
    A figure peers into a computer while standing behind a table and next to a speaker.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure peers into a computer while standing behind a table and next to a speaker.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A figure peers into a computer while standing behind a table and next to a speaker.
    Year 2022
    Related pages Eiko Ishibashi in Concert
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  • Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.
    Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A photograph of a gallery space with a black rectangular table and a chair in the foreground. There are eight photographs and print-outs hung on the back walls, and a row of floor-to-ceiling columns is visible in the background.
    A photograph of a gallery space with a black rectangular table and a chair in the foreground. There are eight photographs and print-outs hung on the back walls, and a row of floor-to-ceiling columns is visible in the background.
    Tiffany Sia: Slippery When Wet. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a gallery space with a black rectangular table and a chair in the foreground. There are eight photographs and print-outs hung on the back walls, and a row of floor-to-ceiling columns is visible in the background.]
    Caption Tiffany Sia: Slippery When Wet. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a gallery space with a black rectangular table and a chair in the foreground. There are eight photographs and print-outs hung on the back walls, and a row of floor-to-ceiling columns is visible in the background.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • A photograph of a long sheet of dot matrix paper with text on a black table.
    A photograph of a long sheet of dot matrix paper with text on a black table.
    Tiffany Sia, The Bastard Scroll (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a long sheet of dot matrix paper with text on a black table.]
    Caption Tiffany Sia, The Bastard Scroll (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a long sheet of dot matrix paper with text on a black table.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A crowd watches a large humanoid blue bird turn around.
    A crowd watches a large humanoid blue bird turn around.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A crowd watches a large humanoid blue bird turn around.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description A crowd watches a large humanoid blue bird turn around.
    Year 2022
    Related pages Circus Amok
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    Related pages Dream Lines: Drawings by Marian Zazeela
  • A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.
    A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.
    Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.]
    Caption Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés.
    Image description A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
  • Black fabric drops down from the black table top in an oval-like shape.
    Black fabric drops down from the black table top in an oval-like shape.
    Selections from the Artists File, installation view, Artists Space, 1986. [Black fabric drops down from the black table top in an oval-like shape.]
    Caption Selections from the Artists File, installation view, Artists Space, 1986.
    Image description Black fabric drops down from the black table top in an oval-like shape.
    Year
    Related pages Selections from the Artists File
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    Related pages S*an D. Henry-Smith
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.
    Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.
    [Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.]
    Caption
    Image description Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.
    Year 2003
    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Cover of the novel <em>Goodbye to Tenth Street</em>, featuring a blue-toned image of a streetpost with a road sign for East 10th Street and a one-way sign.
    Cover of the novel <em>Goodbye to Tenth Street</em>, featuring a blue-toned image of a streetpost with a road sign for East 10th Street and a one-way sign.
    Irving Sandler, Goodbye to Tenth Street (New York: Pleasure Boat Studio, 2018). [Cover of the novel Goodbye to Tenth Street, featuring a blue-toned image of a streetpost with a road sign for East 10th Street and a one-way sign.]
    Caption Irving Sandler, Goodbye to Tenth Street (New York: Pleasure Boat Studio, 2018).
    Image description Cover of the novel Goodbye to Tenth Street, featuring a blue-toned image of a streetpost with a road sign for East 10th Street and a one-way sign.
    Year 2018
    Related pages Goodbye to Tenth Street, A Novel by Irving Sandler
  • Color image of an individual standing and smiling jovially towards the camera. A podium can be seen to the left of the image, and a variety of seated party guests are also imaged within the elegant and decorative venue.
    Color image of an individual standing and smiling jovially towards the camera. A podium can be seen to the left of the image, and a variety of seated party guests are also imaged within the elegant and decorative venue.
    Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of an individual standing and smiling jovially towards the camera. A podium can be seen to the left of the image, and a variety of seated party guests are also imaged within the elegant and decorative venue.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman.
    Image description Color image of an individual standing and smiling jovially towards the camera. A podium can be seen to the left of the image, and a variety of seated party guests are also imaged within the elegant and decorative venue.
    Year
    Related pages Support
  • A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.
    A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.
    Salad Days. Installation view, Artists Space, 2004. [A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.
    Year 2004
    Related pages Salad Days
  • A number of dark paper-thin objects are visible in the foreground and a netted covering with small pieces of string dispersed around it with light emanating from behind can be seen in the upper section of the image.
    A number of dark paper-thin objects are visible in the foreground and a netted covering with small pieces of string dispersed around it with light emanating from behind can be seen in the upper section of the image.
    Kevin Labadie. Installation view. Artists Space, 1983. [A number of dark paper-thin objects are visible in the foreground and a netted covering with small pieces of string dispersed around it with light emanating from behind can be seen in the upper section of the image.]
    Caption Kevin Labadie. Installation view. Artists Space, 1983.
    Image description A number of dark paper-thin objects are visible in the foreground and a netted covering with small pieces of string dispersed around it with light emanating from behind can be seen in the upper section of the image.
    Year
    Related pages Installation: Paul Hunter, Jonathan Kessler, Kevin Labadie, Tim Maul, Fred Szymanski, and Stephen Whisler
  • A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.
    A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.
    Pictures. Opening Reception, Artists Space, September 23, 1977. Sherrie Levine (left), Irving Sandler (right). Photo: D. James Dee. [A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.]
    Caption Pictures. Opening Reception, Artists Space, September 23, 1977. Sherrie Levine (left), Irving Sandler (right). Photo: D. James Dee.
    Image description A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.
    Year 1977
    Related pages Pictures
  • An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.
    An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.
    A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.
    Local Transit. Installation view, Artists Space, 2006. [A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.
    Year
    Related pages Local Transit: An Exhibition in Two Parts
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    Related pages keyon gaskin 12-14
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    Related pages Abasement #75
  • Negative film image of two hands holding down either side of a blue board. Objects are placed to create vaguely recognizable patterns and figures.
    Negative film image of two hands holding down either side of a blue board. Objects are placed to create vaguely recognizable patterns and figures.
    Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist [Negative film image of two hands holding down either side of a blue board. Objects are placed to create vaguely recognizable patterns and figures.]
    Caption Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist
    Image description Negative film image of two hands holding down either side of a blue board. Objects are placed to create vaguely recognizable patterns and figures.
    Year
    Related pages Crystal Z Campbell
  • A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • Catalogue cover design featuring a black and white photograph of a series of animal skulls arranged on a back backdrop. The skulls vary in size and shape, and many have large, fang-like teeth. Small white text running along the cover's lower edge reads,
    Catalogue cover design featuring a black and white photograph of a series of animal skulls arranged on a back backdrop. The skulls vary in size and shape, and many have large, fang-like teeth. Small white text running along the cover's lower edge reads,
    [Catalogue cover design featuring a black and white photograph of a series of animal skulls arranged on a back backdrop. The skulls vary in size and shape, and many have large, fang-like teeth. Small white text running along the cover's lower edge reads, "reconstructions Jim Rittimann march 14 - may 4, 1991 Artists Space."]
    Caption
    Image description Catalogue cover design featuring a black and white photograph of a series of animal skulls arranged on a back backdrop. The skulls vary in size and shape, and many have large, fang-like teeth. Small white text running along the cover's lower edge reads, "reconstructions Jim Rittimann march 14 - may 4, 1991 Artists Space."
    Year 1991
    Related pages Reconstructions, assemblages
  • Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description
    Year
    Related pages Support
  • An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.
    An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.
    Laura Cottingham & Leslie Singer, still from The Anita Pallenburg Story, 2000. Digital Video, 76 min. [An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.]
    Caption Laura Cottingham & Leslie Singer, still from The Anita Pallenburg Story, 2000. Digital Video, 76 min.
    Image description An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • A book cover with an image of a hallway with tan and brown checkerboard tiling with a door at the end. Sunlight is filtering through the windows of the door, reflecting on the floor. Superimposed text on top of the photo reads
    A book cover with an image of a hallway with tan and brown checkerboard tiling with a door at the end. Sunlight is filtering through the windows of the door, reflecting on the floor. Superimposed text on top of the photo reads
    [A book cover with an image of a hallway with tan and brown checkerboard tiling with a door at the end. Sunlight is filtering through the windows of the door, reflecting on the floor. Superimposed text on top of the photo reads "SUMMER OF HATE" and under it, "Chris Kraus".]
    Caption
    Image description A book cover with an image of a hallway with tan and brown checkerboard tiling with a door at the end. Sunlight is filtering through the windows of the door, reflecting on the floor. Superimposed text on top of the photo reads "SUMMER OF HATE" and under it, "Chris Kraus".
    Year 2012
    Related pages Summer of Hate
  • The front and back flaps of a book cover design featuring an image of a gallery installation. Various artworks, one floorstanding case, and a column are visible in the space.
    The front and back flaps of a book cover design featuring an image of a gallery installation. Various artworks, one floorstanding case, and a column are visible in the space.
    Edited by Julie Ault, Martin Beck and Richard Birkett, Macho Man, Tell It To My Heart: Collected by Julie Ault Vol. 2 (Berlin: Hatje Cantz, 2016). [The front and back flaps of a book cover design featuring an image of a gallery installation. Various artworks, one floorstanding case, and a column are visible in the space.]
    Caption Edited by Julie Ault, Martin Beck and Richard Birkett, Macho Man, Tell It To My Heart: Collected by Julie Ault Vol. 2 (Berlin: Hatje Cantz, 2016).
    Image description The front and back flaps of a book cover design featuring an image of a gallery installation. Various artworks, one floorstanding case, and a column are visible in the space.
    Year 2016
    Related pages Tell It To My Heart - Collected By Julie Ault, Volume 2
  • Students working with light and found objects, 2022
    Caption Students working with light and found objects, 2022
    Image description
    Year 2022
    Related pages Listening to the LES
  • A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says,
    A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says,
    Lukas Duwenhögger, Restive Childhood, 2016, Archival inkjet with silkscreen on 320 gsm Hahnemühle Photorag Pearl paper, 20 ¾ x 15 ¾ inches (52,7 x 40 cm), Edition of 10 + 3 AP, Signed & Numbered. [A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says, "Out of the blue: / Children march on capital / demanding homo-adoption / innumerable casualties / heart-wrenching scenes." Beneath the photo, the text repeats but in Turkish.]
    Caption Lukas Duwenhögger, Restive Childhood, 2016, Archival inkjet with silkscreen on 320 gsm Hahnemühle Photorag Pearl paper, 20 ¾ x 15 ¾ inches (52,7 x 40 cm), Edition of 10 + 3 AP, Signed & Numbered.
    Image description A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says, "Out of the blue: / Children march on capital / demanding homo-adoption / innumerable casualties / heart-wrenching scenes." Beneath the photo, the text repeats but in Turkish.
    Year 2016
    Related pages Editions
  • A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.
    A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.
    Lyndon Barrois Jr., Guardians Gate (Farfanicchio), 2022; Masters of Fine Arts, 2011/2022. Wood, latex paint, antique brass elements, cast iron, oil paint, twigs, brass, burlap, packing felt; oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Photo: Filip Wolak [A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.]
    Caption Lyndon Barrois Jr., Guardians Gate (Farfanicchio), 2022; Masters of Fine Arts, 2011/2022. Wood, latex paint, antique brass elements, cast iron, oil paint, twigs, brass, burlap, packing felt; oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Photo: Filip Wolak
    Image description A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
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    Related pages Education Publications
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    Related pages Abasement #84
  • A drawing of a multilayered circle. The inner circle reading
    A drawing of a multilayered circle. The inner circle reading
    Immanent Madness. Installation View. Artists Space, 1985-86. [A drawing of a multilayered circle. The inner circle reading "Imminent Madness", the second layer reading " academies, forest, huts, villages, cities," and the outer layer reading, "pleasure, luxury, neccesity, utility, comfort."]
    Caption Immanent Madness. Installation View. Artists Space, 1985-86.
    Image description A drawing of a multilayered circle. The inner circle reading "Imminent Madness", the second layer reading " academies, forest, huts, villages, cities," and the outer layer reading, "pleasure, luxury, neccesity, utility, comfort."
    Year
    Related pages Immanent Madness
  • A set of five paintings, prints, and other works on paper hang in a horizontal line across a white gallery wall. The compositions each depict one or more figures. Some sit, as if for a portrait, while others appear to play basketball. One of the gallery columns is situated in the image's center.
    A set of five paintings, prints, and other works on paper hang in a horizontal line across a white gallery wall. The compositions each depict one or more figures. Some sit, as if for a portrait, while others appear to play basketball. One of the gallery columns is situated in the image's center.
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [A set of five paintings, prints, and other works on paper hang in a horizontal line across a white gallery wall. The compositions each depict one or more figures. Some sit, as if for a portrait, while others appear to play basketball. One of the gallery columns is situated in the image's center.]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description A set of five paintings, prints, and other works on paper hang in a horizontal line across a white gallery wall. The compositions each depict one or more figures. Some sit, as if for a portrait, while others appear to play basketball. One of the gallery columns is situated in the image's center.
    Year 2006
    Related pages Salad Days 2
  • A view of a city street and the tail end of a bicycle is obscured by window blinds.
    A view of a city street and the tail end of a bicycle is obscured by window blinds.
    Barbara Levy: Photographs. Postcard, Artists Space, 1979. [A view of a city street and the tail end of a bicycle is obscured by window blinds.]
    Caption Barbara Levy: Photographs. Postcard, Artists Space, 1979.
    Image description A view of a city street and the tail end of a bicycle is obscured by window blinds.
    Year 1979
    Related pages Photographs: Barbara Levy
  • Dr Andrew Torres, Teaching Artist leading a poetry class for Grade 8 students (detail), 2022
    Caption Dr Andrew Torres, Teaching Artist leading a poetry class for Grade 8 students (detail), 2022
    Image description
    Year 2022
    Related pages Art and Literacy: Poetry
  • Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads,
    Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads,
    [Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads, "Decolonization is **not** a metaphor. Triangulation of indigenous struggle, black liberation, and a free Palestine produce a re-arrangement of relationshps that make empire look like this." Below reads, "Black Lives Matter." The left section contains a bright yellow back ground, red illustration, and black text that reads, "PALESTINE, BLM & BOYCOTT IN THE ARTS," and arabic text below.]
    Caption
    Image description Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads, "Decolonization is **not** a metaphor. Triangulation of indigenous struggle, black liberation, and a free Palestine produce a re-arrangement of relationshps that make empire look like this." Below reads, "Black Lives Matter." The left section contains a bright yellow back ground, red illustration, and black text that reads, "PALESTINE, BLM & BOYCOTT IN THE ARTS," and arabic text below.
    Year 2016
    Related pages Decolonize This Place
  • A constructed drawing of human figures using compound curvature.
    A constructed drawing of human figures using compound curvature.
    Elizabeth Diller and Ricardo Scofidio, Bed for the Condemned Man, 1986. [A constructed drawing of human figures using compound curvature.]
    Caption Elizabeth Diller and Ricardo Scofidio, Bed for the Condemned Man, 1986.
    Image description A constructed drawing of human figures using compound curvature.
    Year 1986
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
  • A photograph of the exhibition opening reception. A group of visitors look around at the art.
    A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.]
    Caption Four Scottish Artists. Opening Reception, Artists Space, 1979.
    Image description A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Year 1979
    Related pages Four Scottish Artists
  • An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.
    An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.
    Michael Clark in the production Mmm.... (1992). Photographed by Hugo Glendinning. [An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.]
    Caption Michael Clark in the production Mmm.... (1992). Photographed by Hugo Glendinning.
    Image description An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.
    Year 1992
    Related pages Michael Clark
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak. [A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A group of individuals in conversation while sitting on a radiator.
    A group of individuals in conversation while sitting on a radiator.
    Pictures. Reception documentaion, 1977, Artists Space. [A group of individuals in conversation while sitting on a radiator.]
    Caption Pictures. Reception documentaion, 1977, Artists Space.
    Image description A group of individuals in conversation while sitting on a radiator.
    Year 1977
    Related pages
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Year
    Related pages Artists Space Dialogues: Huey Copeland, Michelle Kuo
  • The Spanish translation of the poem “La cholla, o cactus saltador, se agarra.../Cholla, or jumping cactus, attaches...” is shown above a thin grey horizontal line, below which appears the English translation of the same poem.
    The Spanish translation of the poem “La cholla, o cactus saltador, se agarra.../Cholla, or jumping cactus, attaches...” is shown above a thin grey horizontal line, below which appears the English translation of the same poem.
    Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego. [The Spanish translation of the poem “La cholla, o cactus saltador, se agarra.../Cholla, or jumping cactus, attaches...” is shown above a thin grey horizontal line, below which appears the English translation of the same poem.]
    Caption Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego.
    Image description The Spanish translation of the poem “La cholla, o cactus saltador, se agarra.../Cholla, or jumping cactus, attaches...” is shown above a thin grey horizontal line, below which appears the English translation of the same poem.
    Year 2007
    Related pages Whitney ISP Archive
  • On an elevated walkway that overlooks a cityscape, three wooden rods form a teepee in a green space. A white rope hangs from where the structure is tied together, the other end suspends a large rock very close to the ground.
    On an elevated walkway that overlooks a cityscape, three wooden rods form a teepee in a green space. A white rope hangs from where the structure is tied together, the other end suspends a large rock very close to the ground.
    Duane Linklater, pêyakotênaw, 2018. Mixed media. Installation view, Agora, High Line Art, New York, 2018. [On an elevated walkway that overlooks a cityscape, three wooden rods form a teepee in a green space. A white rope hangs from where the structure is tied together, the other end suspends a large rock very close to the ground.]
    Caption Duane Linklater, pêyakotênaw, 2018. Mixed media. Installation view, Agora, High Line Art, New York, 2018.
    Image description On an elevated walkway that overlooks a cityscape, three wooden rods form a teepee in a green space. A white rope hangs from where the structure is tied together, the other end suspends a large rock very close to the ground.
    Year 2018
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • Black text on an orange background. The text reads: “Nov 16 / Jee Leong Koh / Thaddeus Rutkowski.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Nov 16 / Jee Leong Koh / Thaddeus Rutkowski.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Nov 16 / Jee Leong Koh / Thaddeus Rutkowski.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Nov 16 / Jee Leong Koh / Thaddeus Rutkowski.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Jee Leong Koh & Thaddeus Rutkowski
  • A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads
    A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads
    Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate [A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.]
    Caption Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate
    Image description A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.
    Year
    Related pages Artists Space Annual Edition Portfolio 2010
  • A view from the side of the stage of two performers. The performer in the back is playing the saxophone and has their eyes closed. The musician in the foreground is out of focus. They are playing the cello. Both musicians are tinted red, as well as the audience on the left side, and the room has white dots of light reflecting from a disco ball.
    A view from the side of the stage of two performers. The performer in the back is playing the saxophone and has their eyes closed. The musician in the foreground is out of focus. They are playing the cello. Both musicians are tinted red, as well as the audience on the left side, and the room has white dots of light reflecting from a disco ball.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A view from the side of the stage of two performers. The performer in the back is playing the saxophone and has their eyes closed. The musician in the foreground is out of focus. They are playing the cello. Both musicians are tinted red, as well as the audience on the left side, and the room has white dots of light reflecting from a disco ball.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A view from the side of the stage of two performers. The performer in the back is playing the saxophone and has their eyes closed. The musician in the foreground is out of focus. They are playing the cello. Both musicians are tinted red, as well as the audience on the left side, and the room has white dots of light reflecting from a disco ball.
    Year
    Related pages Abasement #74
  • A color installation photograph of a gallery space bisected by a row of dark metal columns. Two wooden chairs are placed near a piece of semi-transparent grey and blue fabric partially hung from a grey metal scaffold. A large piece of grey and yellow vinyl hangs from the wall on the right.
    A color installation photograph of a gallery space bisected by a row of dark metal columns. Two wooden chairs are placed near a piece of semi-transparent grey and blue fabric partially hung from a grey metal scaffold. A large piece of grey and yellow vinyl hangs from the wall on the right.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation photograph of a gallery space bisected by a row of dark metal columns. Two wooden chairs are placed near a piece of semi-transparent grey and blue fabric partially hung from a grey metal scaffold. A large piece of grey and yellow vinyl hangs from the wall on the right.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of a gallery space bisected by a row of dark metal columns. Two wooden chairs are placed near a piece of semi-transparent grey and blue fabric partially hung from a grey metal scaffold. A large piece of grey and yellow vinyl hangs from the wall on the right.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “May 4 / Nature Theater of Oklahoma / Violet Spurlock.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “May 4 / Nature Theater of Oklahoma / Violet Spurlock.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “May 4 / Nature Theater of Oklahoma / Violet Spurlock.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “May 4 / Nature Theater of Oklahoma / Violet Spurlock.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Nature Theater of Oklahoma & Violet Spurlock
  • An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.
    An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A closed rectangular box with a black cover sits on a white backdrop. Large, white text reading
    A closed rectangular box with a black cover sits on a white backdrop. Large, white text reading
    [A closed rectangular box with a black cover sits on a white backdrop. Large, white text reading "Avalanche" runs along the top of the box's right side.]
    Caption
    Image description A closed rectangular box with a black cover sits on a white backdrop. Large, white text reading "Avalanche" runs along the top of the box's right side.
    Year 2010
    Related pages Liza Béar and Christophe Cherix in conversation regarding Avalanche
  • A collaged image featuring a black and white photograph of a figure with short, dark hair wearing a partially unbuttoned shirt against a white background. The figure crosses their arms casually in front of their chest, their right hand holding a lit cigarette. Bright red and yellow strokes of paint resembling fire flames have been painted over the photograph, emerging from the figure's right side. Fragments of a world map have been collaged over the left side of the figure's face. Additionally, an illustration of the Earth and several small illustrations of clocks are collaged along the figure's right arm. A small illustration of a running figure, engulfed by flames, is positioned next to the figure's right elbow. Small black text running along the image's bottom edge reads,
    A collaged image featuring a black and white photograph of a figure with short, dark hair wearing a partially unbuttoned shirt against a white background. The figure crosses their arms casually in front of their chest, their right hand holding a lit cigarette. Bright red and yellow strokes of paint resembling fire flames have been painted over the photograph, emerging from the figure's right side. Fragments of a world map have been collaged over the left side of the figure's face. Additionally, an illustration of the Earth and several small illustrations of clocks are collaged along the figure's right arm. A small illustration of a running figure, engulfed by flames, is positioned next to the figure's right elbow. Small black text running along the image's bottom edge reads,
    David Wojnarowicz with Tom Warren, Self-Portrait of David Wojnarowicz, 1983/84, 23.5 x 16.5 inches [A collaged image featuring a black and white photograph of a figure with short, dark hair wearing a partially unbuttoned shirt against a white background. The figure crosses their arms casually in front of their chest, their right hand holding a lit cigarette. Bright red and yellow strokes of paint resembling fire flames have been painted over the photograph, emerging from the figure's right side. Fragments of a world map have been collaged over the left side of the figure's face. Additionally, an illustration of the Earth and several small illustrations of clocks are collaged along the figure's right arm. A small illustration of a running figure, engulfed by flames, is positioned next to the figure's right elbow. Small black text running along the image's bottom edge reads, "2020Solidarity - David Wojnarowicz with Tom Warren / A project by Between Bridges."]
    Caption David Wojnarowicz with Tom Warren, Self-Portrait of David Wojnarowicz, 1983/84, 23.5 x 16.5 inches
    Image description A collaged image featuring a black and white photograph of a figure with short, dark hair wearing a partially unbuttoned shirt against a white background. The figure crosses their arms casually in front of their chest, their right hand holding a lit cigarette. Bright red and yellow strokes of paint resembling fire flames have been painted over the photograph, emerging from the figure's right side. Fragments of a world map have been collaged over the left side of the figure's face. Additionally, an illustration of the Earth and several small illustrations of clocks are collaged along the figure's right arm. A small illustration of a running figure, engulfed by flames, is positioned next to the figure's right elbow. Small black text running along the image's bottom edge reads, "2020Solidarity - David Wojnarowicz with Tom Warren / A project by Between Bridges."
    Year 1983
    Related pages 2020Solidarity
  • Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A silhouetted figure of a person speaking into a microphone. They are backlit by an image of an upside down American flag.
    A silhouetted figure of a person speaking into a microphone. They are backlit by an image of an upside down American flag.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A silhouetted figure of a person speaking into a microphone. They are backlit by an image of an upside down American flag.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A silhouetted figure of a person speaking into a microphone. They are backlit by an image of an upside down American flag.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.
    Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Four framed photogrpahs in a grid hang on an angled wall to the left. Three decorated paper bags sit on white pedestals. An abstract landscape painting hangs on the wall in the background.
    Year 2017
    Related pages Unholding
  • Various paintings hang on the walls to the left and right.
    Various paintings hang on the walls to the left and right.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang on the walls to the left and right.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description Various paintings hang on the walls to the left and right.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
  • Caption
    Image description
    Year
    Related pages Cold Drink: Film and Video Festival
  • Three hanging projector screens surround the middle of a darkened gallery space. The two screens on the right and left side depict a black-and-white video still of a figures face, illuminated on one side by a bright flash of light. The third screen in the middle shows a black-and-white film still of hazy and ghostly tonal modulations.
    Three hanging projector screens surround the middle of a darkened gallery space. The two screens on the right and left side depict a black-and-white video still of a figures face, illuminated on one side by a bright flash of light. The third screen in the middle shows a black-and-white film still of hazy and ghostly tonal modulations.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak. [Three hanging projector screens surround the middle of a darkened gallery space. The two screens on the right and left side depict a black-and-white video still of a figures face, illuminated on one side by a bright flash of light. The third screen in the middle shows a black-and-white film still of hazy and ghostly tonal modulations.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Three hanging projector screens surround the middle of a darkened gallery space. The two screens on the right and left side depict a black-and-white video still of a figures face, illuminated on one side by a bright flash of light. The third screen in the middle shows a black-and-white film still of hazy and ghostly tonal modulations.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Photograph of a basement gallery space with various multimedia works displayed. In the center is a large wooden platform placed on the floor. Along the back wall is a projected video, a grid of works on paper, and a woven hanging piece.
    Photograph of a basement gallery space with various multimedia works displayed. In the center is a large wooden platform placed on the floor. Along the back wall is a projected video, a grid of works on paper, and a woven hanging piece.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a basement gallery space with various multimedia works displayed. In the center is a large wooden platform placed on the floor. Along the back wall is a projected video, a grid of works on paper, and a woven hanging piece.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a basement gallery space with various multimedia works displayed. In the center is a large wooden platform placed on the floor. Along the back wall is a projected video, a grid of works on paper, and a woven hanging piece.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • Magazine cutouts of scattered blocky letters (reading ABASEMENT) and a series of people's heads overlay a light yellow background. A chunk of upside down text lists the performers, as well as the time and place of the event.
    Magazine cutouts of scattered blocky letters (reading ABASEMENT) and a series of people's heads overlay a light yellow background. A chunk of upside down text lists the performers, as well as the time and place of the event.
    Flyer by Joe Frivaldi. [Magazine cutouts of scattered blocky letters (reading ABASEMENT) and a series of people's heads overlay a light yellow background. A chunk of upside down text lists the performers, as well as the time and place of the event.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cutouts of scattered blocky letters (reading ABASEMENT) and a series of people's heads overlay a light yellow background. A chunk of upside down text lists the performers, as well as the time and place of the event.
    Year
    Related pages Abasement #64
  • Two gallery walls display black and white images of various sizes.
    Two gallery walls display black and white images of various sizes.
    David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [Two gallery walls display black and white images of various sizes. ]
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description Two gallery walls display black and white images of various sizes.
    Year
    Related pages David Armstrong: Portraits
  • An angled view of a large video monitor screen positioned on the ground behind a collumn. The room is tinted blue. Three pairs of pipe-frame panels visible in the front and both sides of the screen, which projects a video-still of a composited frame that includes computer generated images of the ocean.
    An angled view of a large video monitor screen positioned on the ground behind a collumn. The room is tinted blue. Three pairs of pipe-frame panels visible in the front and both sides of the screen, which projects a video-still of a composited frame that includes computer generated images of the ocean.
    Hito Steyerl, Liquidity, Inc., 2014 HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015 [An angled view of a large video monitor screen positioned on the ground behind a collumn. The room is tinted blue. Three pairs of pipe-frame panels visible in the front and both sides of the screen, which projects a video-still of a composited frame that includes computer generated images of the ocean.]
    Caption Hito Steyerl, Liquidity, Inc., 2014 HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015
    Image description An angled view of a large video monitor screen positioned on the ground behind a collumn. The room is tinted blue. Three pairs of pipe-frame panels visible in the front and both sides of the screen, which projects a video-still of a composited frame that includes computer generated images of the ocean.
    Year 2015
    Related pages Hito Steyerl
  • Five framed photographs and documents displayed on freestanding, white panels in an exhibition space.
    Five framed photographs and documents displayed on freestanding, white panels in an exhibition space.
    Ken Okiishi, Wish I Were Here, 1997 – 2001. pigmented inkjet prints. Courtesy the artist [Five framed photographs and documents displayed on freestanding, white panels in an exhibition space.]
    Caption Ken Okiishi, Wish I Were Here, 1997 – 2001. pigmented inkjet prints. Courtesy the artist
    Image description Five framed photographs and documents displayed on freestanding, white panels in an exhibition space.
    Year 2013
    Related pages Frozen Lakes
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.
    A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.
    A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.
    Fontaine Dunn, Untitled, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford</>, Artists Space, 1976. [A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.]
    Caption Fontaine Dunn, Untitled, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford</>, Artists Space, 1976.
    Image description A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.
    Year 1976
    Related pages Gary Bower, Fontaine Dunn, Hermine Ford
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    Related pages Abasement #79
  • Black and white photograph of two women, one in a white dress and the other in a black niqab and sunglasses, walking arm in arm in a narrow street.
    Black and white photograph of two women, one in a white dress and the other in a black niqab and sunglasses, walking arm in arm in a narrow street.
    Jane Bowles with Cherifa in Tangier, 1967. Photo: Terrence Spencer/Time & Life Pictures/Getty. [Black and white photograph of two women, one in a white dress and the other in a black niqab and sunglasses, walking arm in arm in a narrow street.]
    Caption Jane Bowles with Cherifa in Tangier, 1967. Photo: Terrence Spencer/Time & Life Pictures/Getty.
    Image description Black and white photograph of two women, one in a white dress and the other in a black niqab and sunglasses, walking arm in arm in a narrow street.
    Year 1967
    Related pages Dear Jane
  • White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Elise Duryee-Browner & Allen Ruppersberg
  • Over a white background yellow and black dotted lines appear in a swooping fashion. Several curved yellow lines with arrows on either end are also visible. The words
    Over a white background yellow and black dotted lines appear in a swooping fashion. Several curved yellow lines with arrows on either end are also visible. The words
    virgil b/g taylor, cover of Fag Tips for Artists Space, 2022 [Over a white background yellow and black dotted lines appear in a swooping fashion. Several curved yellow lines with arrows on either end are also visible. The words "We, you?" and "Or, you, here" are printed in black text in the top and bottom thirds of the image. The words "activity," "condition," and "object" are printed in yellow text inside of ovals made of yellow dashes.]
    Caption virgil b/g taylor, cover of Fag Tips for Artists Space, 2022
    Image description Over a white background yellow and black dotted lines appear in a swooping fashion. Several curved yellow lines with arrows on either end are also visible. The words "We, you?" and "Or, you, here" are printed in black text in the top and bottom thirds of the image. The words "activity," "condition," and "object" are printed in yellow text inside of ovals made of yellow dashes.
    Year 2022
    Related pages virgil b/g taylor
  • An indistinguishable projection on the wall with an installed light appearing above it facing the opposite direction and a bright light coming in from the upper right corner of the image. A column bisects the image.
    An indistinguishable projection on the wall with an installed light appearing above it facing the opposite direction and a bright light coming in from the upper right corner of the image. A column bisects the image.
    James Carpenter. Shaking. Installation view. Artists Space, 1985. [An indistinguishable projection on the wall with an installed light appearing above it facing the opposite direction and a bright light coming in from the upper right corner of the image. A column bisects the image.]
    Caption James Carpenter. Shaking. Installation view. Artists Space, 1985.
    Image description An indistinguishable projection on the wall with an installed light appearing above it facing the opposite direction and a bright light coming in from the upper right corner of the image. A column bisects the image.
    Year
    Related pages Dark Rooms
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Several black and white photographs and documents organized into a grid on a white surface.
    Several black and white photographs and documents organized into a grid on a white surface.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several black and white photographs and documents organized into a grid on a white surface.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Several black and white photographs and documents organized into a grid on a white surface.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.
    A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.
    Bonnie Rycheck. Elegantly Contained, 1986. [A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.]
    Caption Bonnie Rycheck. Elegantly Contained, 1986.
    Image description A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.
    Year
    Related pages Selections from the Artists File
  • A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.
    A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A trough sits between two iron columns, liquid spouts out from the belly button of a torso-like sculpture hanging above the trough.
    A trough sits between two iron columns, liquid spouts out from the belly button of a torso-like sculpture hanging above the trough.
    rio nagaoka, Fountain II, 2025. Steel, hydrocal, urine. Photo: Carter Seddon [A trough sits between two iron columns, liquid spouts out from the belly button of a torso-like sculpture hanging above the trough.]
    Caption rio nagaoka, Fountain II, 2025. Steel, hydrocal, urine. Photo: Carter Seddon
    Image description A trough sits between two iron columns, liquid spouts out from the belly button of a torso-like sculpture hanging above the trough.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis rio nagaoka Sydney Schrader
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • An off white planter reading
    An off white planter reading
    ART CLUB2000 Untitled (What Ever Happened to the Drawing Center Planters/Proposal for Two Semi-Permanent Planters), 1996 Painted wood, vinyl lettering, silk flowers, mulch Image courtesy Artists Space, New York Photo: Filip Wolak [An off white planter reading "The Drawing Center" sits beneath a glazed over window displaying the Old Navy logo.]
    Caption ART CLUB2000 Untitled (What Ever Happened to the Drawing Center Planters/Proposal for Two Semi-Permanent Planters), 1996 Painted wood, vinyl lettering, silk flowers, mulch Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description An off white planter reading "The Drawing Center" sits beneath a glazed over window displaying the Old Navy logo.
    Year 2021
    Related pages ART CLUB2000
  • Fuel prices listed in white numbers separated by red lines on a dark blue display sign.
    Fuel prices listed in white numbers separated by red lines on a dark blue display sign.
    [Fuel prices listed in white numbers separated by red lines on a dark blue display sign.]
    Caption
    Image description Fuel prices listed in white numbers separated by red lines on a dark blue display sign.
    Year
    Related pages Contemporary Architecture - an installation by realities:united
  • A slice of bacon on a red background, with the words
    A slice of bacon on a red background, with the words
    Holly Morse, Bringing Home the Bacon, 1989. Oil on linen, 24 x 24 inches. [A slice of bacon on a red background, with the words "bringing home the B." spiraling on top of it in black text.]
    Caption Holly Morse, Bringing Home the Bacon, 1989. Oil on linen, 24 x 24 inches.
    Image description A slice of bacon on a red background, with the words "bringing home the B." spiraling on top of it in black text.
    Year 1989
    Related pages Post-Boys&Girls: Nine Painters
  • Stylized white text on a tan background reads,
    Stylized white text on a tan background reads,
    [Stylized white text on a tan background reads, "Western Agenda." Small black text above the white text reads "March 14-May 4, 1991 / Artists Space" while several lines of smaller, spaced out text spells out words such as, "courage" "hardwork" and "prosperity."]
    Caption
    Image description Stylized white text on a tan background reads, "Western Agenda." Small black text above the white text reads "March 14-May 4, 1991 / Artists Space" while several lines of smaller, spaced out text spells out words such as, "courage" "hardwork" and "prosperity."
    Year 1991
    Related pages Western Agenda
  • Four pages of a magazine displayed on a white background. The pages contain text and black and white as well as blue and yellow collaged images.
    Four pages of a magazine displayed on a white background. The pages contain text and black and white as well as blue and yellow collaged images.
    Zona. Carga Y Descarga, Issue 3, January - February 1973. Editor and Publisher: Rosario Ferré. Design and Photomontage: Zilia Sánchez. [Four pages of a magazine displayed on a white background. The pages contain text and black and white as well as blue and yellow collaged images.]
    Caption Zona. Carga Y Descarga, Issue 3, January - February 1973. Editor and Publisher: Rosario Ferré. Design and Photomontage: Zilia Sánchez.
    Image description Four pages of a magazine displayed on a white background. The pages contain text and black and white as well as blue and yellow collaged images.
    Year 2013
    Related pages Zilia Sánchez
  • Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    Year 2022
    Related pages keyon gaskin 12-18
  • A white wall with orange and yellow lollipops arranged in lines. In front of the wall is a small television on a white plinth.
    A white wall with orange and yellow lollipops arranged in lines. In front of the wall is a small television on a white plinth.
    Salad Days. Installation view, Artists Space, 2004. [A white wall with orange and yellow lollipops arranged in lines. In front of the wall is a small television on a white plinth.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description A white wall with orange and yellow lollipops arranged in lines. In front of the wall is a small television on a white plinth.
    Year 2004
    Related pages Salad Days
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    Related pages Artists Space Dialogues: Sarah Morris and Bettina Funcke
  • Black and white installation photograph of a gallery space. Black circles are attached to the wall and a figure is visible standing in the space.
    Black and white installation photograph of a gallery space. Black circles are attached to the wall and a figure is visible standing in the space.
    Gerry Morehead. Installation view, Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [Black and white installation photograph of a gallery space. Black circles are attached to the wall and a figure is visible standing in the space.]
    Caption Gerry Morehead. Installation view, Gerry Morehead, Jim Pavlicovic, Artists Space, 1976.
    Image description Black and white installation photograph of a gallery space. Black circles are attached to the wall and a figure is visible standing in the space.
    Year 1976
    Related pages Gerry Morehead, Jim Pavlicovic
  • A large pile of string connected at one end to a tin can sits on a wooden gallery floor. On the wall to the right are two framed world maps in black and white.
    A large pile of string connected at one end to a tin can sits on a wooden gallery floor. On the wall to the right are two framed world maps in black and white.
    Local Transit. Installation view, Artists Space, 2006. [A large pile of string connected at one end to a tin can sits on a wooden gallery floor. On the wall to the right are two framed world maps in black and white.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A large pile of string connected at one end to a tin can sits on a wooden gallery floor. On the wall to the right are two framed world maps in black and white.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • Four people pose for a photo, leaning on a table with three drawings of butterflies splayed across the surface. A papier mache butterfly composed of saturated pink and gold paper and red, yellow, black and white cotton balls hangs above the people at the top right of the image.
    Four people pose for a photo, leaning on a table with three drawings of butterflies splayed across the surface. A papier mache butterfly composed of saturated pink and gold paper and red, yellow, black and white cotton balls hangs above the people at the top right of the image.
    Collaborative team designing butterfly, 2018 [Four people pose for a photo, leaning on a table with three drawings of butterflies splayed across the surface. A papier mache butterfly composed of saturated pink and gold paper and red, yellow, black and white cotton balls hangs above the people at the top right of the image.]
    Caption Collaborative team designing butterfly, 2018
    Image description Four people pose for a photo, leaning on a table with three drawings of butterflies splayed across the surface. A papier mache butterfly composed of saturated pink and gold paper and red, yellow, black and white cotton balls hangs above the people at the top right of the image.
    Year 2018
    Related pages Threads of History
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    Year
    Related pages David Armstrong: Portraits
  • A photograph features two boxers entangled in front of a faded photo of a house. Blue text on top of the image reads
    A photograph features two boxers entangled in front of a faded photo of a house. Blue text on top of the image reads
    Flyer for Segue Reading Series featuring Zach Haber and Jubi Arriola-Headley. Saturday, October 10, 2020, Artists Space. Artist: Keith Higginbotham [A photograph features two boxers entangled in front of a faded photo of a house. Blue text on top of the image reads "Zack Haber / Jubi Arriola-Headley / Segue."]
    Caption Flyer for Segue Reading Series featuring Zach Haber and Jubi Arriola-Headley. Saturday, October 10, 2020, Artists Space. Artist: Keith Higginbotham
    Image description A photograph features two boxers entangled in front of a faded photo of a house. Blue text on top of the image reads "Zack Haber / Jubi Arriola-Headley / Segue."
    Year 2020
    Related pages Segue Reading Series: Jubi Arriola-Headley & Zack Haber
  • A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light.
    A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light. ]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light.
    Year
    Related pages Abasement #80
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    Related pages Sharon Hayes and Brooke O'Harra 2
  • A black and white photograph of two windows is set into a background of various abstract paint dripss and drawings of figures wearing suits.
    A black and white photograph of two windows is set into a background of various abstract paint dripss and drawings of figures wearing suits.
    David Salle. Untitled, 1976. Mixed media on paper. From Barbara Bloom, David Salle, Artists Space, 1976 [A black and white photograph of two windows is set into a background of various abstract paint dripss and drawings of figures wearing suits.]
    Caption David Salle. Untitled, 1976. Mixed media on paper. From Barbara Bloom, David Salle, Artists Space, 1976
    Image description A black and white photograph of two windows is set into a background of various abstract paint dripss and drawings of figures wearing suits.
    Year 1976
    Related pages Barbara Bloom, David Salle
  • A movie poster depicting the title and pertinent information of the film, showing a man walking away from the camera down a dirt road in the desert, shot in sepia.
    A movie poster depicting the title and pertinent information of the film, showing a man walking away from the camera down a dirt road in the desert, shot in sepia.
    Our Terrible Country. Dir. Mohammad Ali Atassi & Ziad Homsi. 2014. [A movie poster depicting the title and pertinent information of the film, showing a man walking away from the camera down a dirt road in the desert, shot in sepia.]
    Caption Our Terrible Country. Dir. Mohammad Ali Atassi & Ziad Homsi. 2014.
    Image description A movie poster depicting the title and pertinent information of the film, showing a man walking away from the camera down a dirt road in the desert, shot in sepia.
    Year 2014
    Related pages Our Terrible Country
  • Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. 
    Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. 
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. ]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. 
    Year
    Related pages Abasement #67
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-16
  • In an open gallery space, three vitirnes stand surrounded by walls displaying large color photographs with thick black borders.
    In an open gallery space, three vitirnes stand surrounded by walls displaying large color photographs with thick black borders.
    David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [In an open gallery space, three vitirnes stand surrounded by walls displaying large color photographs with thick black borders. ]
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description In an open gallery space, three vitirnes stand surrounded by walls displaying large color photographs with thick black borders.
    Year
    Related pages David Armstrong: Portraits
  • A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.
    A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.
    Wolfgang Tillmans, Speedmaster #2, 2011, Offset print on paper, 47 1/4 x 48 3/8 in / 120 x 122,9 cm, Hung with two metal brackets, Edition of 170, Signed and numbered, Printed on LuxoArt Velvet 200 gsm paper with Speedmaster XL by Dr. Cantz’sche Printshop, Ostfildern [A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.]
    Caption Wolfgang Tillmans, Speedmaster #2, 2011, Offset print on paper, 47 1/4 x 48 3/8 in / 120 x 122,9 cm, Hung with two metal brackets, Edition of 170, Signed and numbered, Printed on LuxoArt Velvet 200 gsm paper with Speedmaster XL by Dr. Cantz’sche Printshop, Ostfildern
    Image description A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • Photographic works hang on two adjacent walls in a gallery space. On the left they are more horizontal and on the right they appear more vertically arranged.
    Photographic works hang on two adjacent walls in a gallery space. On the left they are more horizontal and on the right they appear more vertically arranged.
    Split/Vision. Installation View. Artists Space, 1985-86. [Photographic works hang on two adjacent walls in a gallery space. On the left they are more horizontal and on the right they appear more vertically arranged.]
    Caption Split/Vision. Installation View. Artists Space, 1985-86.
    Image description Photographic works hang on two adjacent walls in a gallery space. On the left they are more horizontal and on the right they appear more vertically arranged.
    Year
    Related pages Split/Vision
  • The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '
    The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '
    On Being an Exhibition. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '"ARTISTS SPACE" is written on the far wall, and a number of bookcases, a white pedestal with a clear plastic hood, and a front desk populate the room. Behind the front desk are two neon quotation marks.]
    Caption On Being an Exhibition. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '"ARTISTS SPACE" is written on the far wall, and a number of bookcases, a white pedestal with a clear plastic hood, and a front desk populate the room. Behind the front desk are two neon quotation marks.
    Year 2007
    Related pages On Being an Exhibition
  • Untitled, Taro Quirk, City-As-School high school student, 2021, digital photograph.
    Caption Untitled, Taro Quirk, City-As-School high school student, 2021, digital photograph.
    Image description
    Year
    Related pages BRIDGE Photography
  • A performer wears a suit adorned with large appendages and plays a stringed instrument. The stage and wall behind it are bathed in blue light.
    A performer wears a suit adorned with large appendages and plays a stringed instrument. The stage and wall behind it are bathed in blue light.
    Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A performer wears a suit adorned with large appendages and plays a stringed instrument. The stage and wall behind it are bathed in blue light. ]
    Caption Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer wears a suit adorned with large appendages and plays a stringed instrument. The stage and wall behind it are bathed in blue light.
    Year
    Related pages Abasement #81
  • Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.
    Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.
    Year
    Related pages Abasement #71
  • A framed image installed on a white gallery wall that extends into an exhibition space. A glass wall framed by black, metal paneling is positioned to the left of the white wall. Through it, several freestanding, colorful panels decorated with cartoonish illustrations of pinwheels and forests are displayed in an open room.
    A framed image installed on a white gallery wall that extends into an exhibition space. A glass wall framed by black, metal paneling is positioned to the left of the white wall. Through it, several freestanding, colorful panels decorated with cartoonish illustrations of pinwheels and forests are displayed in an open room.
    Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A framed image installed on a white gallery wall that extends into an exhibition space. A glass wall framed by black, metal paneling is positioned to the left of the white wall. Through it, several freestanding, colorful panels decorated with cartoonish illustrations of pinwheels and forests are displayed in an open room.]
    Caption Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A framed image installed on a white gallery wall that extends into an exhibition space. A glass wall framed by black, metal paneling is positioned to the left of the white wall. Through it, several freestanding, colorful panels decorated with cartoonish illustrations of pinwheels and forests are displayed in an open room.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • Caption
    Image description
    Year
    Related pages Anne Gardiner: Through the Tulips and The Red Red Rose - May 2
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Caption
    Image description
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.
    Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • Black-and-white image of a hand holding a stopwatch.
    Black-and-white image of a hand holding a stopwatch.
    Yasunao Tone, 2,880K=120", 1964 [Black-and-white image of a hand holding a stopwatch.]
    Caption Yasunao Tone, 2,880K=120", 1964
    Image description Black-and-white image of a hand holding a stopwatch.
    Year
    Related pages Yasunao Tone Film Screening #1
  • A figure performs on the stage. He is sitting on a chair playing a guitar. To the right, there is another chair with an amp on the seat. Nature images are projected onto the stage, and back wall.
    A figure performs on the stage. He is sitting on a chair playing a guitar. To the right, there is another chair with an amp on the seat. Nature images are projected onto the stage, and back wall.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A figure performs on the stage. He is sitting on a chair playing a guitar. To the right, there is another chair with an amp on the seat. Nature images are projected onto the stage, and back wall.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A figure performs on the stage. He is sitting on a chair playing a guitar. To the right, there is another chair with an amp on the seat. Nature images are projected onto the stage, and back wall.
    Year
    Related pages Abasement #65
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads,
    A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads,
    Exhibition Catalogue [A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads, "Jack Smith, Art Crust of Spiritual Oasis, June 22 - September 9, 2018, Artists Space."]
    Caption Exhibition Catalogue
    Image description A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads, "Jack Smith, Art Crust of Spiritual Oasis, June 22 - September 9, 2018, Artists Space."
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    Year 2022
    Related pages keyon gaskin 12-16
  • Listening Room, recorded compositions, collage and ceramics 2025
    Caption Listening Room, recorded compositions, collage and ceramics 2025
    Image description
    Year
    Related pages Listening to the LES
  • Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    [Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.]
    Caption
    Image description Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    Year 2007
    Related pages Program 5 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • Three steel structures sit in the space, lit from a singular overhead white LED strip light. On the left sits a trough, fed liquid through the belly button of a torso-like sculpture. In the middle sits a human-sized metal box. A clear tube connects the box to the structure standing on the right, which includes metal rails that hold and pitch the tube upright.
    Three steel structures sit in the space, lit from a singular overhead white LED strip light. On the left sits a trough, fed liquid through the belly button of a torso-like sculpture. In the middle sits a human-sized metal box. A clear tube connects the box to the structure standing on the right, which includes metal rails that hold and pitch the tube upright.
    Nandi Loaf, Aristotelis Nikolas Mochloulis, rio nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [Three steel structures sit in the space, lit from a singular overhead white LED strip light. On the left sits a trough, fed liquid through the belly button of a torso-like sculpture. In the middle sits a human-sized metal box. A clear tube connects the box to the structure standing on the right, which includes metal rails that hold and pitch the tube upright.]
    Caption Nandi Loaf, Aristotelis Nikolas Mochloulis, rio nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Three steel structures sit in the space, lit from a singular overhead white LED strip light. On the left sits a trough, fed liquid through the belly button of a torso-like sculpture. In the middle sits a human-sized metal box. A clear tube connects the box to the structure standing on the right, which includes metal rails that hold and pitch the tube upright.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis rio nagaoka Sydney Schrader
  • A black logo consisting of a lowercase letter
    A black logo consisting of a lowercase letter
    [A black logo consisting of a lowercase letter "b" connected to a smaller, lowercase letter "c" on a white background.]
    Caption
    Image description A black logo consisting of a lowercase letter "b" connected to a smaller, lowercase letter "c" on a white background.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Two figures perform in front of large projected images.
    Two figures perform in front of large projected images.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [Two figures perform in front of large projected images.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description Two figures perform in front of large projected images.
    Year
    Related pages SCRAAATCH 11-18
  • Scanned image of a white page featuring a geometric drawing of a building divided into squares. Some of the squares are colored in charcoal and others are lightly filled in with pencil. Light smudges of black charcoal appear across the page. In the upper-center of the page, text reads:
    Scanned image of a white page featuring a geometric drawing of a building divided into squares. Some of the squares are colored in charcoal and others are lightly filled in with pencil. Light smudges of black charcoal appear across the page. In the upper-center of the page, text reads:
    Cover of Common Ruin, Win McCarthy, 2023. [Scanned image of a white page featuring a geometric drawing of a building divided into squares. Some of the squares are colored in charcoal and others are lightly filled in with pencil. Light smudges of black charcoal appear across the page. In the upper-center of the page, text reads: "Win McCarthy / Common Ruin".]
    Caption Cover of Common Ruin, Win McCarthy, 2023.
    Image description Scanned image of a white page featuring a geometric drawing of a building divided into squares. Some of the squares are colored in charcoal and others are lightly filled in with pencil. Light smudges of black charcoal appear across the page. In the upper-center of the page, text reads: "Win McCarthy / Common Ruin".
    Year
    Related pages Win McCarthy: Common Ruin
  • A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.
    A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.
    Ellen Fullman. Performance documentation, May 3rd, 2024, Artists Space. Photo: Casey Kelbaugh. Courtesy of Frieze and CKA. [A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.]
    Caption Ellen Fullman. Performance documentation, May 3rd, 2024, Artists Space. Photo: Casey Kelbaugh. Courtesy of Frieze and CKA.
    Image description A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.
    Year
    Related pages Support
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