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[A looseleaf sheet of paper with "Spring 2012 F.R. DAVID" printed on the top in red type. The page is filled with handwritten black text.] -
Yuki Kimura, The Circle, 2019, 21 stainless steel round trays. Photo: Daniel Pérez [21 silver, round, stainless steel trays sit nested on a wood floor.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.] -
Cave of Animals: Cave of the Future, site recording, 2024 -
Installation view from From Here to Eternity: Fact and Fiction in Recent Architectural Projects, Artists Space, May 24, 1986 - June 28, 1986. [A shell of an architectural edifice stands over a small moveable two-wheeled car in a gallery space.] -
Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A performer stands on stage, operating a sound system. The performer and the wall behind the stage are illuminated in red light.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.] -
Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.] -
[Black text on a light yellow background. The text reads: “April 12 / Isabel Sobral Campos / Ronaldo V. Wilson” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
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Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of five performers on stage. From left to right, they are playing guitar, saxophone, drums, and trumpet. The room is lit up with pink and white projections. The backs of multiple audience members are visible in the bottom of the frame. A few of the performers are lit with yellow light, as well as some of the audience.] -
Martine Flor, Echoes From A Scene IV, 2022. Part of a larger series, spatial photogram on polyester textile (diptych), and text. Photo: Steven Cottingham. [Color photograph of a work consisting of two large sheets of textile with shades of white and grey, suspended from the ceiling. The work casts a shadow on the wall behind it.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.] -
Cover of What is Contemporary Art for Today? And what should it be for if anything?, Perić Collection, 2025. [A book cover features white text on a red background that reads "WHAT IS CONTEMPORARY ART FOR TODAY?/And what should it be for if anything?"and a small photograph of the inside of a restaurant with red booths and wooden chairs.] -
[Stamped yellow text spelling out "W.A.G.E" at a slight angle. Underneath that, typed pink text reads, "Working Artists and the Greater Economy."] -
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Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A painted cardboard structure sits on stage. The audience, stage, and wall behind it are bathed in yellow, blue, and green light created by a patterned projection.] -
Local Transit. Installation view, Artists Space, 2006. [Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Three metal cutouts of hands, each displaying a different finger expression, are installed on a white wall. Each hand holds stacks of white, blue, and purple cards.] -
Untitled (Dealers in a round table dialogue, Basilico Fine Arts, July 18, 1996), 1996 Duratran lightbox 3 x 8 feet Image courtesy Artists Space, New York Photo: Filip Wolak [A lightbox displaying a group of sitting and standing individuals. Behind them is a wall of small photographs and artworks.] -
Ei Arakawa. Social Muscle Rehab (early edit for exhibition), 2021. 5:19 minutes. With Dan Chen, Danielle A. Jackson, K.O. Nnamdie, Masako Shiba, Kenneth Teng, Ivanny Pagan, Britnie Williams. Camera by Lazar Bozic (Ortvi.com). Image courtesy Artists Space, New York. Photo: Filip Wolak [View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.] -
Charlotte Posenenske. Configured by Ei Arakawa. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular, hollow, and consists of cube-like and triangular metal components arranged in a long form that snakes across the ground. A large sheet of brown paper rests on the floor before the sculpture, crumpling against the sculpture's lower edge.] -
Joel Katz, History Lessons, 1990. Installation view, Artists Space, 1990. [A photograph, taken from above, of rows of school desks facing a television with a map behind it.] -
![The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' width='1500' height='1057'%3E%3C/svg%3E)
Amy Sillman, Turtlenecks, 2007, Archival ink jet on Somerset Paper, 11 1/4 x 17 1/2 inches (28.6 x 44.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints. [The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left] "When did you get here?" [below figure on right] "Are you going to Basel?" At the bottom, center of the page is written "Turtlenecks."] -
Leigh Ledare, Double Bind (Diptych #6/25), 2010. Courtesy the artist and Mitchell-Innes & Nash, New York. [Two framed artworks side-by-side. One has a white background and features a collage of photographs, showing two people with their faces obscured by other images of nature and currency. The other artwork features a black background and two smaller photos arranged one on top of the other. The top image depicts a woman looking back at the camera, and the lower image depicts a forest.] -
Not yet titled, 2019
Clay, glaze, metal antenna
3 1/2 x 13 x 12 inches (variable)
$3,500 [A blue, black and brown abstract object sits on a white base. A metal antenna sticks out of it on a diagonal.] -
David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [In an open gallery space, three vitirnes stand surrounded by walls displaying large color photographs with thick black borders. The inner display of a vitrine reveals smaller color photographs.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.] -
Paul Sharits [A black and white photograph of a man standing outside, surrounded by trees and grass, with his hand on a tripod.] -
Tom of Finland Untitled , 1985 Graphite on paper Collection John McConnell, San Diego [A man wearing a POLICE cap and aviator glasses, straddling half-naked. Two men wearing glossy leather jackets and boots, hold him close with their pants down. One takes the policeman from behind while the other holds the policeman's genitals in his hand.] -
Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986. [Dirt can be seeng lining the walls on the floor and also in the clear cases above them. There is stark lighting of the walls in this gallery setting.] -
Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [An angled view of the external corner of two walls. On the left are monitors, displaying various images. On the right large paintings and images are hung on all surface area of the wall.] -
Portrait of Carman Moore. [A color photograph of a figure from the chest up. Moore wears a green collared shirt and looks directly into the camera. He stands in front of a translucent glass background, in whose reflection buildings are faintly visible.] -
The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A dark room with a video projection on the wall and several benches. The image shows a crowd of people, some children and some adults, sitting on grass and watching a guitar player.] -
realities:united, BIX Comminicative Display Skin, 2003. Photo: H. Schiffer. [An overhead view of a very modern building with a dark, bulbous, skin-like facade. Protruding from its top are tuberous skylights all facing the same direction, and at left is a long elevated walkway.] -
Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A metal plaque engraved with text is displayed on a white gallery wall that extends into the left half of the image's frame. Past and to the right of the wall, a series of colorful panels are staggered around a white column in front of a red wall. Some of the panels are decorated with cartoonish illustrations of animals and forests. Large text on one of the visible panels reads, "We're all going to really miss doing your work for you."] -
Local Transit. Installation view, Artists Space, 2006. [A gray wall with dozens of drawings arranged in rows of four. The drawings depict single buildings in black on white paper. In front of the wall, a gray object stands on a white plinth.] -
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Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A performer's hand adjusts the dials of audio equipment which is placed on top of a small desk. Their hands are adorned with rings and bracelets, and the scene is bathed in green light. The background is blue and purple tinted, and there are blurred silhouettes of audience members behind the performer.] -
Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A color image of the white wall of the gallery space. In the center, a projected image of two hands tying rope around the body of a fish. The black and white projected image is flanked by two sets of six black and white framed photographs. Each frame is black, with three on the top and three on the bottom.] -
[Collaged atop a blue, beige, and orange field is a series of abstract graphic and typewritten elements, including a womans face placed sideways with green tape over it. In the middle, on a piece of blue paper, is the list of performers and text reading "aBASEmEnt 62 at ArTists SpACe" along with the location and time of the event.] -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.] -
Clocking Out: Time Beyond Management. Installation view (Brendan Fernandes, A Solo Until We Can Dance Again, 2021; Sky Hopinka, In Dreams & Autumn, 2021; Kobby Adi, Whiskey, 2022), Artists Space, 2023. Photo: Greg Carideo. [Photograph of one wall of a gallery. In the center of the wall are three TV flatscreens playing different synchronized videos. In front of the flatscreens is a large wooden platform with a piece of marley floor on it that can be written on. To the right on the wall is a small vitrine with a matchbox.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.] -
Arts and Family Engagement evening, student and parent panel on high school portfolio preparation, P.S. 140, 2019 [A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.] -
The Gentrification of the Mind: Witness To A Lost Imagination. Sarah Schulman. Univ. of California Press, 2012. Paperback, 192 pages. $20. at the Artists Space Bookstore [An an angled view of resident entrances from a street view with white text at the bottom that reads, "Sarah Schulman." Red text underneath reads, "The Gentrification of the Mind, Witness to a Lost Imagination."] -
Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.] -
Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman. [An onlooking audience watches a performer play an electric guitar on stage. The audience is bathed in red light, and projections are present on the left wall. ] -
Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a basement gallery space with various multimedia works on display. In the left back corner is a reading room, and in the center is a large wooden platform, a wooden bench painted blue, and a woven hanging.] -
Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art. Two dogs walk through the crowd.] -
Carolyn Lazard: Two-way. Installation view, Artists Space, 2025. Photo: Greg Carideo. [An exterior view of a gallery with white neoclassical columns and a row of three glass doors. Inside the gallery is a bright red wall with large white text: the text is partially obscured by the building’s columns and doorways.] -
[Two rectangular cards arranged on a white background. Large black text printed on each card reads, "LADYLAND" and is framed by a pattern of swirls. The top card is blue, and the bottom card is yellow.] -
[A text banner with a warm pastel yellow and green border, which reads "IT CLOSES AT SUNSET", in a rounded-word Art style font. The shadows behind each letter are visible.] -
Renee Gladman, Slowly We Have the Feeling: Score, 2019-2022. Pastel and pigment on paper. Courtesy of the Artist [Drawing done on black paper of a white line with shapes and marks on it, along with three circles. One circle is colored in green with a red line extending from the top right and across the page intersecting with the white line. A green triangle sits below a small line of white text on the upper left of the composition.] -
Tom of Finland Untitled , ca. 1968 Collage on paper Tom of Finland Foundation, Permanent Collection [Collaged images of pairs of half-naked men in various poses and positions.] -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Two people wearing headphones sit in three wooden chairs arranged in front of a TV monitor, where a person wearing a black and yellow polo speaks to the camera.] -
Flyer for Segue Reading Series featuring t'ai freedom ford & Terrance Hayes. Saturday February 20, 2021, Artists Space. [A purple colored background features black text in the top half of the image that reads, "Segue Reading Series / t'ai freedom ford & Terrance Hayes / February 20 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."] -
Catalog cover from polke / richter – richter / polke , 1966 galerie h, Hannover Courtesy August Haseke [Black lower case text on a red page reads, "richter/polke, polke/richter."] -
[Black text on a grey background. The text reads: “March 7 / Forrest Gander / with Eiko Otake / Jennifer Scappettone.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Kevin Labadie. Installation view. Artists Space, 1983. [A number of dark paper-thin objects are visible in the foreground and a netted covering with small pieces of string dispersed around it with light emanating from behind can be seen in the upper section of the image.] -
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Jeff Francis, 1996. Photo: Gordon Munro. [A chandelier-like structure with clear crystals at its top and bottom, and green jewels arranged in increasing tiers at its center.] -
El Nascimiento De La Tierra exhibition at Recirculation, WordUp Community Book Store, 2024 -
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Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage in front of a seated audience. The musician on the left is playing the violin, and the musician on the right is playing the drums. The room is bathed in red and blue light. The wall behind the performers is projected with blue and purple graphics.] -
David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [Four black and white photographs hang vertically on the gallery wall. The images, three of which are portraits, the other of a chair, share a similar tone of drama and quietness as only one subject is given focus at a time. ] -
Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.] -
Lyndon Barrois Jr., Breakaway Palm, 2022. Oil on linen-mounted board, brass, solvent transfers, raw linen panel, linoleum frame, plywood. 20.75 x 16.75 inches. Photo: Filip Wolak. [A color photograph of a ceramic jub resting on a small wooden stool next to a color control strip. On the wall above and to the right is a painting of two hands. Another color control strip rests on top of the painting's frame.] -
Terry Fox, Yield, University Art Museum, Berkeley, California, September 4, 1973. Photo: Larry Fox. Courtesy Marilyn Bogerd. [Black-and-white film photograph of a figure bent over, knees on the ground, his left hand reaches up to touch his face which looks downward. His hands and clothing are covered in a dusting of flour. In the background viewers sit on the concrete floor.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, orange, blue, and red paper. Small pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.] -
Not yet titled, 2019
Clay, glaze, mixed media
7 x 12 x 17 inches (variable)
$5,000
[A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.] -
Devin Kenny, Stop following me/follow me, 2016. Photo: Daniel Pérez. [An angled view of the illuminated stage of a overhead projector. A red flashlight descends from the lamp onto a flat pile of objects including photographs, drawings, transparents material, and more.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.] -
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space. Along the lefthand wall are two adobe panel paintings, each depicting different parts of a freeway. In the middle of the space is a pile of freeway rubble on which sits a sculpture of a bird. Along the right side of the room are adobe bricks laid out on the floor, along with steel armatures that hold adobe panels.] -
Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor in a brightly-lit gallery space. The sculpture is modular and consists of rectangular and triangular metal components arranged in a tall, ring-shaped structure.] -
Charles Harbutt. East Liverpool, Ohio, 1984. [An image of a town setting with advertising on a building that reads, "Crook's Easy Terms of Credit" in white letters on black background on the left and "Crook" in large white letters with white background on the right. Telephone poles and lines can be seen in the image as well. Store names "Pietche's Print & Paper Place" and "Tile Town" can be identified on the two building adjacent to one another.] -
Hito Steyerl, Liquidity, Inc., 2014. HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. [A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base including large pillows for seating. The room is tinted blue. On the screen, there is a man in a mask, infront of a map of Europe and Eastern Asia. A text bubble is infront of him that reads, "because huge quantities of data are raining down from their cloud storage over Scandinavia."] -
ART CLUB2000 Selections from ART CLUB2000 archive, detail, 1992–1999 Image courtesy Artists Space, New York Photo: Filip Wolak [A glass case displaying archival documents and images] -
P.S. 140 students recording sounds at Tompkins Square Park, 2019 [A cropped image of a group of students smiling for the camera in Tompkins Square Park. One holds a recording device, which has been overlaid with an opaque orange image of a lampshade. Green digital circles emanate out from it, as if to simulate a doppler-effected sound.] -
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Installation view from Six Sculptors, Artists Space, January 25, 1986 - February 22, 1986. [In the foreground lies a silver sculpture with varying levels and in the background is a table with a checkered design on top. An image stands on that table and a stool can be seen behind it.] -
Photo: Elisheva Gavra, Courtesy of the artist. [Color image of an old wooden cabinet, with the doors open revealing various objects placed on the shelves including: a black kettle, a glass jar with eggshells, a white bust, a clock, a fire alarm, a book, Comet bleach, and empty glass bottles] -
Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of an audience watching a performance. In the middle of the crowd, a figure in a blue and white dress holds their hand to their chest with their eyes closed, listening to the performance.] -
James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of two people in period dress. One lies on a patterned couch, wrapped in sheets, while the other stands observing. Above the couch, a mirror on the wall reflects the scene to the camera.] -
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Hilary Lloyd, Shirt, 2011. [A close-up shot of black fabric patterned with white dots, stripes, and zigzags.] -
Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [A metal form sits on a sloped gray slap on top of a low, rectangular plinth. The 3D form is composed of thin metal sheets that together form an amorphous shape that casts a series of shadows on the surface below it.] -
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Richard Hollis. Installation view, Artists Space, 2013. [A blue shirt sits folded on a table with a book inside its pocket. Next to it, a book with text on the cover that reads, "The Hazards of Work: How to Fight Them."] -
The Library of Helen DeWitt Kitchen view Courtesy Helen DeWitt [Three white shelves, that extend the entire length of the frame, are filled with books of various colors and sizes.] -
Tom of Finland, Untitled, ca. 1930. Watercolor, pen and ink on paper. Courtesy The Family of Touko Laaksonen, Finland. [A vitrine displaying a nuclear family of paper dolls with their various options of clothing.] -
Audrey Glassman, Untitled. Cibachrome, 28 x 42 inches. [Two figures sitting at opposite ends of a couch looking outside of the image to the right. A telephone sits on a table next to the couch on the right.] -
Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [a black and white photograph of a gallery filled with people conversing. The walls are lined with several framed and unframed artworks.] -
Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.] -
[White text on a bright fuchsia background. The text reads: “Oct 25 / Wo Chan / Kay Gabriel.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
M.S. 324 Grade 7 Threads of History students with Teaching Artist, Esperanza Cortés and M.S. 324 Science teacher Mary Guerrero, June 2021 -
Ava Garber, 3 Pillows, 1990. Wax, fabric, wood and oil, 36 x 120 x 36 inches. [A black and white image of three overlapping pillows propped up against a white wall.] -
Renee Gladman is a writer and artist preoccupied with crossings, thresholds, and geographies as they play out at the intersections of poetry, prose, drawing and architecture. Gladman’s first solo exhibition Narratives of Magnitude was held at Artists Space from January 13th to March 18th, 2023. She is the author of fourteen published works. Recent essays and visual work have appeared in POETRY Magazine, The Paris Review, Harper's, BOMB magazine and n+1. She has been awarded fellowships, artist grants, and residencies from the Radcliffe Institute for Advanced Study at Harvard, Foundation for Contemporary Arts, the Lannan Foundation, and KW Institute for Contemporary Art (Berlin), and is a 2021 Windham-Campbell Prize winner in fiction. She makes her home in New England with poet-ceremonialist Danielle Vogel. [Photo: Philippe Mangeot] -
Flyer for Segue Reading Series featuring Robert Glück & Ted Rees. Saturday, October 17, 2020, Artists Space. Artist: Keith Higginbotham [A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads "Robert Glück / Ted Rees / Segue".] -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space. To the left of the image, on the foreground, a white wall with a window and a drawing of a parked car. The driver is speaking with a figure that leans on the car. Through the window, a painting of three figures is visible. In the background, four works hang on a black wall. In the center of the room, a black couch and a table in the shape of a body.] -
Marie Karlberg Videos. Installation view, Artists Space, 2013. [A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.] -
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Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak. [The corner of a gallery space with a wooden camper structure placed there. Two ramps lead to doorways along the front and side of the structure. The edge of a free-standing white wall sits to the left of the camper..] -
Friends of Artists Space Dinner 2024. Wade Guyton, Kathy Halbreich, Andy Robert, Joan Jonas. Photo: Joshua Wildman [A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.] -
Camila, watercolor, acrylic and hand stamping, 2024 -
Rirkrit Tiravanija, untitled, 2011 (print mo’ money), 2011, Copper etching plate, Signed certificate. [A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.] -
Flyer for Segue Reading Series featuring erica kaufman and M. Lamar. January 28, 2023, Artists Space. [Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads "erica kaufman / Segue Reading Series / M. Lamar."] -
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Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays the cello on stage.] -
Marian Zazeela, Portrait of Helen 10/12, 1977, black ink on graph paper (bilateral symmetry; sequential series of mirrored names moving closer together and retrograding apart). Courtesy of the artist. [Image of drawing done on white graph paper. In the middle of the paper is a cluster of lines, each made of individual dots, which overlap and curve over each other to create a symmetric composition.] -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space divided by two walls, with columns running down the middle. There are multple paintings and drawings hanging on the walls. In the center of the back room, a black-and-white checkered floor. To the right, an A-frame sign with the words "Barber Shop." Another space, on the right, is illuminated with blue light.] -
LIFE—a group show, curated by Arnold J. Kemp. Installation view (Nick Raffel, No title, 2025; Catherine Sullivan in collaboration with George Lewis and Sean Griffin, Afterword via Fantasia, 2015), Artists Space, 2025. Photo: Carter Seddon [A projected video displays a black and white still of two black men looking at each other. We see the back of one of these men's heads and the furrowed face of the other. A speaker sits in front of the projection. And although subtle, the corners of the gallery walls are curved as opposed to perpendicular.] -
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Beverly Buchanan, slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art. [Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.] -
Malachi Sherrill, from Dogs portfolio, 2020, digital photograph [Two dogs face each other at an angle on eggshell colored sand.] -
LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [On the left wall of the gallery space sits of shelf containing a display case of photographs and jars. In the corner of the walls sits a televion on the floor playing a video. On the right wall is a painting vertically reading "NIGHTMARE" with skulls, stars, and abstracted forms superimposed on top. To the right of this is a framed landscape. A painted ceramic sits on a table in the foreground.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.] -
[A yellow, deflated balloon, folded at the neck, with white text that reads, "Living with Pop."] -
The Friends of Artists Space Dinner, May 8, 2010. Wolfgang Tillmans's laudation. [A man with a shaved head wearing black pants and a striped collared shirt reads from sheets of paper, speaking into a standing microphone. Two figures sitting at a table behind him turn to gaze towards him as he speaks.] -
Still from The Empty Plan (2010). [Two men dressed in uniform and carrying guns are looking toward the right of the image. They are within the red seats of a theatre; one is sitting and one is standing.] -
[Black text on an orange background. The text reads: “Nov 2 / Latasha N. Nevada Diggs / Modesto Flako Jimenez.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Seth Laderman. Installation view, Artists Space, 1980. [A PrintFile photo preserver is visible with two black and white photographic artworks inside and the top photograph has tape around it with writing on it.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the piano to a seated crowd behind him.] -
Leslie Thornton. Jennifer, Where Are You?, 1981. [A closeup of a young girl with dark hair and bangs, frowning as she applies red lipstick in a messy circle around her mouth.] -
Robert Gero, Untitled, 1989. Sulfur, salt, aluminum. [A rectangular column against a white background. A top section is black with sharp edges, while the rest is white and slightly rounded.] -
Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink, holding a heart-shaped canvas, smiles into a microphone held by a second person in all black. In the background, a crowd of people look on.] -
Student prototyping design, 2018 [A student sitting at a science room desk with a sink, drawing with a pencil on several sheets of paper. One sheet, foregrounded, has an outline of an airplane] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the guitar sitting down, while another figure stands behind him playing the bass.] -
Michael Asher, permanent work for the Grinstein Collection, Los Angeles, California, USA, 1979. Viewing north on the neighbor’s property toward the reconstructed wall section, as photographed in 2017. Photograph by Jeff McLane. © Michael Asher Foundation. [A photograph of a pale pink stucco wall that separates two properties. Green trees and shrubbery line the side of the wall that is pictured. Additional trees on the neighbor's side are visible, in partial view.] -
David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [Three glass topped vintrines carry smaller color photographs. The gallery walls behind display five photographs, each depicting a different hazy space adorned with thick black borders. ] -
Beneath the Surface, BRIDGE photography presentation at City-As-School, November 5, 2021 -
Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of an individual captured midst performing at a table set up with DJ equipment. Another performer is seen behind him, playing the saxaphone in a dark performance space illuminated only by bright blue, pink and neon yellow projections. A large shadow of a person taking a photo with a camera can be seen cast on the projection wall to the left of the image.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A long piece of plexiglass hangs vertically from the cieling in a gallery. Eight postcards are mounted onto the plexiglass. All of the postcards depict different garbage trucks, shown from the exact same angle. ] -
Flyer for Segue Reading Series featuring Artress Bethany White & Cait O'Kane. April 23, 2022, Artists Space. [Black text overlays a white background with a yellow bunch of flowers in the upper left corner. The top left corner reads: “Artress Bethany White / & Cait O’Kane / April 23, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”] -
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Flyer for Segue Reading Series featuring John Yau & Patrick Rosal. April 30, 2022, Artists Space. [Black text overlays a white background with two bunches of pink flowers in the upper right and lower left corners. The top left corner reads: “John Yau / & Patrick Rosal / April 30, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Portrait of a figure caught offguard.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.] -
Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A display case holds materials in the middle of a neutral colored room. A black and white video is projected on a wall on the left side of the room. The projection faces a wall displaying several framed photographs and drawings.] -
Elizabeth Diller and Ricardo Scofidio, Bed for the Condemned Man, 1986. [A drawing of a hanging figure supported by weighted straps.] -
Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.] -
Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [An image of a man with black material painted around his eyes projected onto a black gallery wall. A portion of a red Coca-Cola sign reading "Trink Coca-Cola" is superimposed over the man's image. To the right of the video projection, an amorphous black sculpture with red feathers is displayed on a small shelf.] -
[A cartoon drawing of men at a table with text underneath reading, "Everybody sees right through your damned transparency."] -
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway. Paintings are also hung on either side of the wall, each depicting different views of a freeway.] -
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Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [In a basement space, an audience watches as a figure sitting behind a white table reads into a microphone. On the back wall behind the figure are two projected videos featuring a notebook, pieces of coral, and an image of the ocean.] -
Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Three geometric, silver metal sculptures sit on low dolleys with wheels on a wooden gallery floor. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. Long arrows of colorful tape are installed on the gallery floors.] -
Sariyah, Cupcakes, 2022, colored pencil on paper -
Dayna Goldfine and Dan Geller, still from Kids of Survival: The Art and Life of Tim Rollins & K.O.S., 1996. 87 min. [Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.] -
Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A bar with four wooden stools positioned in the corner of a room. A neon sign hangs above to the left of a fiber sculpture. On the left wall, a monitor is displayed on top of plastered posters.] -
Michael Asher, Installation view, Artists Space, 1988. [A corner of a white ceiling is crossed by silver electrical tubing. A single lightbulb is affixed to one tube and is aimed at the ceiling, illuminating a circle of the ceiling only a few inches above it.] -
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Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Projections of elongated gold figures.] -
Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [A performer with long blonde hair and a black baseball cap sits on stage at a table covered in electronic instruments. Their face is lit with red light. The background is dark, but a few audience members are visible. ] -
Mike Parker, This Town Needs an Enema, 1990. Oil on canvas. [Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads, "Let's Broaden Our Minds."] -
The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Three figures standing by a set of music stands in front of a seated audience. The center figure faces the audience, her arms stretched wide. The figures on either side of her appear to mime grasping something above themselves—such as a bar or handle—with one hand. One's expression is solemn, the other's incredulous.] -
Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak -
Hito Stereyl, excerpt from In Free Fall, 2010, HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York. [A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.] -
[Pablo Picasso looking at an image of Joseph Stalin.] -
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SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.] -
Purgatory, Alexander Karpman, Silver Key in Photography -
Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A colorful drawing with sketches of two people is projected onto a dark wall. The image is partially obscured by two silhouetted figures.] -
Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Black and white photographs hang in a horizontal line across a dark wall descending into an exhibition space. On the right, a video monitor sits on the ground. In the background is a free-standing wall featuring a series of framed photographs. A mannequin dressed in orange and green fabric is displayed in front of the photographs.] -
Shirley Jaffe. White Begonia, 1986. Oil on canvas, 86x70 inches. [A geometric composition of red, purple, black, yellow, blue, and green flat shapes on a white background.] -
[A grainy, black and white image of a vintage automobile driving on a winding, deserted road through a set of mountains. The car is in the foreground of the image, with part of its body cut off by the image's frame.] -
Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a doorstop shaped like a donkey. The donkey carries a bundle of sticks on its back and props open a brown door.] -
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Jaylynn Reyna, Bonnie, 2022, digital photograph -
John Berger, Ways of Seeing (London: BBC and Penguin Books, 1972). [Black text on paper introducing the book. The top text reads, "A Pelican Original, Ways of Seeing, Based on the BBC television series with John Berger."] -
Theresa Hak Kyung Cha, Other Things Seen, Other Things Heard (Ailleurs), 1978. Documentation of performance at San Francisco Museum of Modern Art. Photo: James H. Cha [Black-and-white photograph of a wall with a large projection of a woman's face on it. To the left of the projection, a woman with dark hair kneels on the floor facing the projection.] -
Gerhard Richter Volker Bradke , December 13, 1966 From the exhibition Hommage an Schmela (Homage to Schmela), December 9 – 15, 1966. Galerie Schmela, Düsseldorf Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads, "Volker Bradk."] -
Morag Keil, Posters, 2014. Inkjet prints (series of four). [A flyer featuring black and white photos of NYC housing developments and an orange column with text that reads, "HOUSING DISCRIMINATION IS AGAINST THE LAW! Fair housing is a human right protected by the New York City Human Rights Law. Under the New York City Human Rights Law, you cannot be denied housing because of your actual or perceived race, age, disability, gender (including gender identity and sexual harrassment), sexual orientation, marital status, partnership status, alienage or citizenship status, lawful occupation, lawful source of income, or because children may be residing with you."] -
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Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak. -
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Ruben Ulises Rodriguez Montoya, Gloria Gloria, Balenciaga 2010 FW/RTW by Nicolas Ghesquiere, and Kate Moss as a hologram for Alexander McQueen, 2022. Photo: Carter Seddon. [Color image of a gallery space with three large white biomorphic sculptures by Ruben Ulises Rodriguez Montoya hanging from the ceiling throughout. The sculptures are composed of discarded car parts, pigmented silicone, animal horns, clothes, and various other found materials.]
![The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]](https://artistsspace.org/media/pages/store/editions/3365211628-1623172903/sillman-turtlenecks-lo-res-168x.jpg)
![The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]](https://artistsspace.org/media/pages/store/editions/3365211628-1623172903/sillman-turtlenecks-lo-res.jpg)
