Festival Experimentelle Musik 2012, Munich, Germany
Limpe Fuchs is a German sound artist and instrument builder whose vibrant performances develop from a real time engagement with the ecology of the space at hand. Using wood and granite stone rows, ringing bronze within pendulum string instruments and employing the percussion, viola and voice she studied at the Munich Conservatory she sensitizes the process of hearing through an exploration of music-making as a part of everyday life. An original member of ‘70s Krautrock duo Anima Sound, Limpe and then husband sculptor Paul Fuchs embodied a radical form of free living, farming and building instruments like the Fuchshorn, Fuchszither and Fuchsbass at a professional metal workshop in their Pfarrhof—a thousand-year-old former priest house—in rural Bavaria. In 1971 they hitched a handmade mobile home and stage to an old Hanomag tractor and toured Europe bringing their anarchic, uncompromising improvisations to an impromptu public at 19 kilometers per hour. A champion of egalitarian performance, Limpe quit the group in the ‘80s when new experimental theater work demanded agreement with more members and she felt that her voice was being compromised. Ever since she has devoted herself to “making music while listening to the streaming of time…with simplicity and emotion,” following the influence of soundscape artists. Whether improvising solo or with other players, Limpe unfailingly coaxes an otherworldly atmosphere from the sounds and silence of her surroundings with a childlike wonder, always open to surprise.
Blank Forms is a curatorial platform dedicated to the presentation and preservation of time-based performance practices. Committed to long-term working relationships with individual artists both emerging and established, Blank Forms creates in-depth public programs and educational materials that provide a range of perspectives on inherently ephemeral practices that fall outside of conventional institutional support systems and consequently risk remaining inaccessible, minimally documented, and obscure. Through a variety of curatorial approaches including online and print publishing, public performances, exhibitions, education workshops, seminars, and residencies, Blank Forms crafts a robust support structure for artists and the presentation of their work.
Presented in collaboration with the Goethe-Institut